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You are here: Home / Archives for Artists / Independent Musicians

6 Things Your Band Should Be Doing on Facebook

14-Mar-2016 By Megan Wild

Creating your online presence and growing your fan base is not as easy as some make it out to be. If you were creating your Facebook page for your music five years ago, this would have been a different story. Few artists had band pages, and it was less difficult to get lost in the shuffle of massive social media notifications.

 

Today, though, you need to have a well thought-out plan if you want to see yourself build a high-quality page with an actual engaged audience of your fans.

 

So how do you do this? Let’s look at this six step plan that will help get you up and running and off to gather those ‘likes’ :

 

  1. Know your target market.

 

In business, you have to know your customer base before you go and open your doors. This also rings true as an artist for creating your Facebook fan base. There are nearly 1.5 billion users on Facebook. It is impossible for all of them to fall in love with your music. Even Taylor Swift has haters, and she’s seen as one of the most popular present-day musicians.

 

However, don’t discount everyone. You want to be specific, but you also want to be creative. What does this mean? While Taylor Swift’s fans may not be yours, it’s important to figure how to find more fans that will like your music. You can use Facebook ads to promote your music. When doing so, be sure to get specific on the types of people you’re targeting — not just age groups. What do they like? What do they dislike? Knowing little intricacies like this can help you expand your audience.

 

  1. Now understand how to ‘speak’ to them.

 

Ok, you have your audience. Now you need to start engaging them with the content you add to your page. You’ll want to keep three things in mind each time you post:

 

  • Speak like your target audience – language is key.
  • Think like them – try to approach the topic from their perspective.
  • Act as they would act – research what causes and events are important to your fan base.

 

A great way to do this is by jumping in on a conversation or cause that your potential fans care about. Here’s an example (albeit a non-musical one): A business that sells used machinery lets their audience know that they care about heart health with a Facebook post. Since this topic is relevant to their audience, they create engagement. This human touch is what lets audiences know you’re worth their time.

facebook

You can also take a look at Facebook’s tip about how to create a two-way conversation. You want to garner a response from your audience and create dialogue. Comments move your content through the news feed more frequently so it is seen by more users.

 

  1. Track which content engages the most people.

 

Not every post you’ll create will see the same response and engagement, so keep track of what types of posts seem to attract your audience more than others. It will be an important way for you to discover what works for your fans and what doesn’t. Some ideas to keep in mind:

 

  • Ask questions on your page. People love to answer easy yes/no inquiries or simple either/or choices. Just make sure it’s relevant to your fans.
  • Photos give your audience something to look at. Keep them interesting and people will keep coming back.
  • Fill-in-the-Blanks type posts help your audience easily weigh in, and keeps your content light and funny.
  • Hold an exclusive contest, like a drawing for two free concert tickets for sharing your page. Keep it simple and don’t do it too often.

 

Now, I’m not saying you should pull a Kanye West here, and tweet controversial things just to get engagement. Instead, put on your Sherlock Holmes hat and create and post information that your audience will truly want to read and see.

 

  1. Content should be real, relaxed and relevant.

 

Keep your content relevant to your audience and relatable. You may not see results right away, but be patient. Don’t start spamming your page with promotional material. This will just annoy your users. You want to build a relationship that will last over time.

facebook

Make sure you foster that relationship with your fans by posting content that feels real to them. This will build trust, and they’re more likely to continue following and sharing. Once you’ve created this rapport, up your game and post more frequently about gigs and shows. If you’ve done it right, your audience will be hungry for more content.

 

  1. Be prompt.

 

Don’t just post something here or there — like twice a day on Monday, nothing until Wednesday and then three times on Friday. This lack of scheduling won’t help your audience recognize when to look for new content from you. Create a schedule and hold to it.

 

Be creative with your scheduled posts. This will help create a rhyme and reason for them. For example, you could do a ‘Music Monday’ post that highlights what you’re listening to that day. It could be a favorite song, band, or album each week. Then poll your audience — ask them what they are playing on repeat.

 

This is an easy way to keep the beginning of the week light and funny — and your audience will be more likely to tune back in during the week for more serious topics. In order to help you stick to your post schedule and topics, make a list in your planner to help you stay organized and on task.

 

  1. Be sure to measure and monitor your results.

 

You can’t make improvements or build off success if you don’t monitor how your content performs and measure its failures and successes. Be sure to look at your page insights and make notes. Know what kind of metrics, like negative feedback, you should be evaluating to improve your reach and engagement with your audience.

 

If you want Facebook to be successful for your band, you have to pay attention to what is being read, shared and commented on. If a post gets absolutely no engagement whatsoever, it doesn’t necessarily mean it’s bad content. It just means you need to look at the types of adjustments needed to do better next time.

 

Now you have the tools to build and optimize your Facebook page successfully — so get out there and find your fans! It’ll take some hard work and dedication, but the little community you create will very much be worth the effort.

Filed Under: Artist Discovery, Artists, Independent Musicians, Music Advice, Music Industry, Music Promotion Tagged With: band page, community, DIY, facebook, music, music industry, music industry news, music scene, musicians, social media

New Album Wednesday with Dan M | Leftover Crack – Constructs Of The State (2015)

24-Feb-2016 By Daniel Mesich

Leftover Crack – Constructs Of The State (2015)

Leftover Crack rose from the ashes of the mighty band Choking Victim, and mainly consists of ex-Choking Victim guitarist and vocalist Scott “Stza” Sturgeon and friends. Of the curious band name, Stza once said that, since they were leftover C.V. tunes, they were essentially, well, leftover crack. Currently signed to the FatWreckChords label, this is their third release. 


BACKGROUND | LOC are a band who have never shied away from controversy; most of their songs involve combating political and societal injustice with a dash of comedy thrown in for good measure to lighten the mood. LOC was part of the late 90s punk era when the genre as we knew it was evolving in many different directions: pop punk was dying and the emo/post hardcore scene was on the rise. Back in a time when the Warped Tour was predominantly 90s punk bands I remember hearing LOC among many others.

They stood out because they were experimental, pushing the boundaries of punk music.

 

BREAKDOWN | Leftover Crack’s first album in 11 years leaps out of the gates with “Archaic Subjugation”, a full metal assault of a song that is over as soon as it starts.

Track “Don’t Shoot” has a very familiar sounding riff for fans of this band. It’s a good example of their sound that is not extremely hard or soft.

The aptly titled “Love and Heartache” is as close as you will get to a 90s pop punk number. I didn’t like it at first, but it’s grown on me.

“Slaves to the Throne” is another short but fierce metallic bullet that has Stza spitting venom about how the world slaves away for the benefit of a few. “Corrupt Vision” has more of a ska element to it, but quickly turns into a blazing fast metal song in between the ska parts. This one is a good example of the Crack Rock Steady Ska sound that was more prominent in their earlier material.

leftover crack

 

“Last Legs” is one of my favorites. It’s probably their softest song and starts out like a folksy ballad. The thing I really like about it is how it starts off slow and takes its time building up. It never gets super crazy, but the lyrics go with the mood and shifts of the song perfectly.

“Poliamor Fiesta Crack” is a really fun song combating sexism and is the third and final ska-tinged one. This song also has one of the best features from an unnamed female vocalist who appear on songs throughout the album. The opening of this song almost has a Mariachi feel to it which I dig.

“Amanecer De Los Muertos” takes a break from serious political commentary and talks about their life on tour, squats, and playing weird venues. It’s pretty upbeat and nice.

leftover crack

They finish the album with all guns blazing on “The War At Home” which is a call to arms to end all wars and take the world back through revolution before it’s too late. Even though the song is fast and upbeat they choose to tone down the guitars a bit as far as heaviness goes and to add keyboards. While I don’t know if I would like it if they made an entire album in this style, it works well for this song, because the lyrics are front and center and I am pretty sure that’s what they wanted to showcase in this song. It’s a great one; another of my favorites.

The official close of this third installment of the LOC series is a song called “Untitled instrumental”. It’s mostly a folksy sound outro that really doesn’t add or take anything away from the album. It’s oddly calming, if we’re being honest.


leftover crack

FINAL THOUGHTS | As a fan who has listened to all three albums in their body of work I feel like their debut album was more ska-heavy and their sophomore album was more punk/folk-oriented while still keeping their experimentation and edge. To me, this latest album mixes a lot of what I liked from their first two and keeps it really fresh. There’s enough diversity here to keep you interested. Run time on this baby stays  under an hour so you get maximum bang for your buck with little-to-no filler. If you like this band or this type of music in general, you will definitely like Constructs Of The State. BONUS: They are really fun to see live and have spawned many side projects worth checking out, including but not limited to Morning Glory and F-Minus.

I give this album \m/ \m/ \m/ \m/ out of 5 horns.

Filed Under: Artist Discovery, Fans, Featured Artist, Independent Musicians Tagged With: album, community, DIY, featured artists, featuredartists, music, music industry, music review, music scene, musicians, new releases, spotlight, superfan, youbloom

The Three P’s of Recording

18-Feb-2016 By David Duvall

The Three P's of Recording

Last week, I went into White Room Studios in Austin, Texas to begin work on Of The Sun’s new EP, Before A Human Path. This marks possibly the 17th anniversary of the first time I’ve ever “laid down tracks”, as they say. While most of my experience in recording has been in either makeshift or home studios, I’ve done more tracking than I can even remember, and the same principles apply to whether you’re making your first demo or you’ve been invited for a guest session at Abbey Road.

P #1 : Be prepared.  Practice. Practice. Practice. If your art means anything to you at all, be sure that you know how you want it to sound and that you can play it the way you want it to sound. It doesn’t matter if you’re in a crust punk band that’s supposed to sound crappy; practice your crappy-sounding part until you can make it sound the way it’s supposed to…every time.

I’ve seen the nicest engineer I’ve ever met turn into a fire-breathing dragon because the band he was recording couldn’t nail a riff in one of their songs, and they “didn’t know what the problem was”. After take 100-something failed and they started in with their excuses, my friend cut them off and said, “Well maybe you should go home and practice!”

It doesn’t matter how much you’re paying for studio time: if you can’t play your song right, no producer can help you.  

The Three P's of Recording

P #2: Be patient.  I know that time is money, recording doesn’t come cheap, and the pressure is on, but if you’ve taken care of the first step, then only a modicum of patience should be required in the first place.

If you or another member of the band fall off the metronome on your first few tries, relax: it’s cool. You can chalk it up to nerves. And it’s okay to be nervous, but you can’t let that shake your resolve to make the record sound as perfect as it can.

If need be, don’t be afraid to take a break and clear your head. Relax. The old adage that says, “You can’t rush art” does have it’s merits.

The Three P's of Recording

P #3: I would have to point to persistence.

This is where the other two also come into play.  You’ve practiced your parts ad infinitum, and you’ve sat through your bandmates’ tracking sessions, and now it’s your turn. When I was younger, I used to take pride in being able to go in and knock out my bass tracks in one day, most tracks taking one or two takes. But when the final product came out, I would always hear parts that I could have played better. Don’t settle for good enough.  

The mix of performance anxiety and pressure to not rack up an exorbitant studio bill will be in the back of your mind, of course. Yet don’t let that dissuade you from making the best use of your time. If there’s something just a little off about your last attempt, keep going.  Your best take could be your next. 

 

Filed Under: Artists, Independent Musicians, Music Advice Tagged With: community, DIY, music industry, music industry news, Music producer, music scene, performance, recording

THE PLUNGE: youbloom | HEADROOM #13 with Featured Artists from the youbloomLA 2015 Music Festival

09-Dec-2015 By Shannon Duvall

Take the plunge: Learn that instrument. Take the plunge: Head for the city.  Take the plunge: Form a band. Record your songs. Go on tour.

 

All first steps are leaps into a vast, deep unknown.

From the moment you hold out your hand to introduce yourself to someone new…to the first note you utter onstage at your first show…to the time you decide that there’s no turning back and take that turnoff in hot pursuit of the career of your dreams.

 

The last installment of HEADROOM LA 2015 is dedicated to those ballsy times; the ones where anxiety and uncertainty have you backed up against the edge of passing out or puking, but you steel yourself, clear your thoughts, and go hell-for-leather anyway.

Because deep down you know there’s no other way. Despite the mistakes, the screw ups, the impulsive decisions: you took the plunge, now you own it.

 

The coolest part about all this? You make friends. 

A little psychological phenomenon known as The Pratfall Effect sees to this; simply put, people like you more when you’re willing to show you’re not perfect. And as you know, there’s no better place to show the world how not perfect you are than in your very first band.

 

So we asked four of the artists playing this weekend’s youbloomLA2015 Music Festival, in Pasadena, to let us in on the awkward details of the first bands they were ever in. We’ve even made a special playlist just for the occasion.

 

Take the plunge: press play, read on, and make some new friends.

 


 

the plunge

Danielle (lead vox, Aigua), THE PLUNGE: “I tried to form a band in 8th grade, but it didn’t last very long. I can remember sitting in my living room, everyone barely knowing how to play their instrument, and me discussing that my best friend was going to manage us…it’s all pretty funny looking back. I forget what our name was but I think it had something to do with bow-ties.”


A Turkish-Brazilian duo with a new twist on latin sounds firmly in their cross hairs, Aigua deliver sweet, sparse melodies in their signature laid-back way. Expect a set that will refresh your ears after a long day of gig-hopping. Beautiful work. For fans of: Sufjan Stevens, Maia, Rodrigo y Gabriela

 

 

the plunge

Julián (lead vox/guitar, RendeR), THE PLUNGE: “My first band was called Sick Town Bastards. I was 11 or 12. We played cover songs from Faith No More, Papa Roach, System of a Down, Pearl Jam and others. The first time we played was in a talent contest at school. We were the best band, even though we were the babies. The music teacher took me (under his wing) from then on. I’m very grateful, because that small band made me take big steps: playing with older schoolmates in Aghast, recording my first songs in the studio, playing music venues in Valparaiso (a Chilean port town; beautiful but dangerous) with fake IDs, using being in a band as a chick magnet technique, or getting into trouble.”


All the way from Chile, with commercial sensibility coming out of their eyeballs, RendeR are polished, tight, and they know their genre like nobody’s business. Headbangers welcome. For fans of: Frequency 54, Underwhelmed, Staind

the plunge
Carolina Plaza (composer/vox, Carito Plaza), THE PLUNGE: “My first band was call FunkReal. It was a Chilean G-Funk band, and actually, we were pretty good! I’m talking about the year 2000; we got some of our videos on MTV, and we played in big festivals such as Rock Al Parque (the biggest festival in Colombia). Good times, good memories.”


Jazzy and sensual R&B is given the latin treatment in the hands of the very talented Carolina (“carito” means little Carolina) Plaza. A capable collaborator, but strong enough to stand alone, the music is danceable, infectious, and smooth. For fans of: Aaliyah, India.Arie, a one woman TLC

 

 

 

the plunge
photo by Zandrah Stoneburner

Cooper, (bass & vox, Ultra Violent Rays), THE PLUNGE: “My first band was a punk three-piece called Bang Sugar Bang. We sucked when we started. I remember I was a ball of nerves before our first show because I really couldn’t play bass and I could barely sing. My bandmate was much more experienced than me. He could tell I was freaking out. He took me aside and said, “It doesn’t matter if you can’t play or sing. Rock ‘n’ roll is 99% attitude.” I got through that show on attitude alone. By the end of our seven years together we were a great band.”


Is this the noirest electro you can find? The Ultra Violent Rays aren’t exactly violent, but they do craft a masterful, cold sultry sound that promises something hot-blooded despite evoking a kind of endless chill. Lovingly produced, carefully communicated electro-class for the space rogue in all of us. For fans of: Joy Division, Gary Numan, Patti Smith

 

 


 

Artists featured will be performing this weekend THU-FRI-SAT 10.11.12 at the youbloomLA 2015 Music Festival, in northeast Los Angeles. There are three different venues, fresh giveaways, a photo contest, and more. Check out the lineup and come on down tomorrow to meet your new friends.

Filed Under: Artist Discovery, Independent Musicians, Interviews, youbloomLA Tagged With: 2015, band interview, community, DIY, featured artists, featuredartists, HEADROOM, lead singer, live gigs, live music, los angeles, millenial, music, music conference, music festival, music industry news, music scene, peformance, performance, spotlight, stage presence, youbloom, youbloomLA2015

MY FIRST TIME: youbloom | HEADROOM #12 with Featured Artists from the youbloomLA 2015 Music Festival

08-Dec-2015 By Shannon Duvall

The last installment of HEADROOM for the youbloomLA 2015 Music Festival goes live tomorrow. The very next day, we clean the rust off our dancing shoes (and dance moves) and make tracks for northeast Los Angeles, where three of Pasadena’s finest bars will host over fifty of the choicest independent bands and solo artists in the world.

 

They’re coming from Chile. Ireland. Haiti. Hell, there’s even a Canuck in the mix, along with homegrown sounds from states far and wide.

 

Here at youbloomHQ, it’s regrettable to see the end of what has turned out to be a lively, illuminating outing on a kind of heavy metal hay wagon with bockety wheels and a passed out driver. HEADROOM is a unique space where artists who will be sharing stages also get to share stories about the one thing bringing you all together: sweet, sweet tacos.

Wait, what?

It’s not tacos??

Well, what on earth could possibly…can somebody get our source on the line?

I swear, one of these days…OH. Right. Riiight. It’s music. I knew that, think I was just hungry. Can somebody get a taco delivery on the line?

 

On the reals, though, it’s been dope. Much obliged to all the artists who participated in this digital confession box. (I mean, if you hadn’t, we’d have bugged your phones and gossiped about you anyway, but high five! You saved us an absolute fortune and raised eyebrows from the guy at the electronics store. So it’s win-win!)

 

This batch of performers have some pretty insightful things to say about the first time music made an impression on their tiny spongey minds – including one guy getting smothered in the name of soul (hint: it’s about boobies). Way to take one for the team, brother.

We’ll leave you to your reading, friends, and thank you once again for making HEADROOM LA ’15 the most fun yet.

Don’t forget to stop by tomorrow for the final goss, give us the thumb of approval on our Facebook, Twitter, Instagram, and/or Soundcloud, and, of course, get on down to the fest. It starts Thursday. Don’t miss it or you’ll be eating your sweet sweet tacos alone. Take it from someone who knows.

 

my first time

Kevin Proctor (songwriter/keys/guitar, Direct Divide), MY FIRST TIME: “I grew up in a sports dominated family that loved football.  Every Sunday, football would be on and when the afternoon games were over, my family would blast some classic rock and alt rock as we wound down the day.  Although I didn’t begin playing an instrument until after high school, hard rock and alternative 90s rock were always a part of me.”

Razz: (songwriter/vox/violin, Direct Divide), MY FIRST TIME: “My parents sang to my brother and I every night from the time we were born until we were teenagers! My dad still laughs at the fact that “Maxwell’s Silver Hammer” by the Beatles was one of my favorite songs.”


It’s a curious thing, the electric violin. At once impossible to ignore and signature (what would The Who’s “Baba O’Reilly” be without it?), it’s a rarity in rock and pop music; it’s full range of sounds as yet uncharted in the more well-known genres. Putting it front and center are what Direct Divide do, which is both brave and intriguing, their unique sound complemented by tight rhythms, searing vocals, and intelligently placed guitar melodies. For fans of: Lourds, Grace Potter & the Nocturnals, Andrew Bird’s darker stuff

 

 

 

my first time

Julian Schonscheck (guitar/keys, DENMANTAU), MY FIRST TIME: “I remember (doing) a tennis exchange with families in France. My family and I lived with a French family for a week. In the evenings when we finished playing tennis a few of our hosts took out their acoustic guitars and played wonderful cover songs; I was very fascinated by it. It was the first time I experienced live music and it was like magic for me. I immediately knew that I wanted to play guitar too, but my hands were still way too small at just six years old or so. It took me around three more years to really start playing the guitar and I’ve never stopped.”


They arrived in Los Angeles on a mission: to be the biggest band in the world. German born and bred, they’ve honed their chops and are stopping at nothing to share their tight, bohemian, insanely danceable music with every pair of ears from here to the moon. Set to be a highlight show at youbloom LA, you really need to see these guys. For fans of: the good Pearl Jam stuff, Jack Penate, Paolo Nutini

 

my first time

Anwar (guitar, Feli and the LemonShakers) MY FIRST TIME: “I remember going on fishing trips with my dad when I was about four or five years old.  He would always be playing some Jimi Hendrix and old school R&B.  It wasn’t until around 14 that I actually began playing guitar.  After seeing one of my friends’ cousins play, I was hooked.”


They sound like sunshine and cocktails, and have no shortage of musical chops, with caressing vocals, dreamy pop guitar melodies, and infectious, hip shaking rhythms. Even the empty spaces have style. One to watch. For fans of: Goodbye Chanel, Bombay Bicycle Club, Blondie

 

my first time

Robert Blue Moon (poet/emcee/other vox, Crvscxnt Moon), MY FIRST TIME: “When I was young I heard The Fugees “Ready or Not”. (It) made a huge impression on me; by far it’s the song that drove me towards music the most. It had such a groove to it; I couldn’t help but try and learn the words so I could sing and rap along with it. A few years later two songs hit it out of the park for me: Jay-Z’s “Hard Knock Life (Ghetto Anthem)” and Nas’ “I Can”. These two hip-hop artists showed the world that they were here to stay.”


Whip smart and acerbic, yet feel-good and uplifting, this is a group with cunning musical abilities and a tangible desire to venture beyond the well-tread environs of intellectual hip-hop. Crvscxnt Moon blend soul and gospel into a refreshing helping of music with something to discuss. For fans of: J. Cole, Blackalicious, Mr. Lif

 

my first time

BJ Smith (singer, composer, soul man), MY FIRST TIME: “When I was about four years old I went to a private school. I had a preschool teacher who used to play the piano and sing to us. She was a red-haired, well-built woman (I wasn’t aware of that kind of thing at the time, but I do recall every time she would hug me after I sang while she was seated at the piano, her large breasts darn near smothered me!) She used take me to convalescent hospitals, churches and other functions to sing. I remember (the) first big song she taught me: “He’s Got the Whole World in His Hands”. I remember how happy these elderly people were to be entertained by a cute little boy with a voice and a big smile.”


Cool, clever, and impassioned, the masterly BJ Smith has the kind of industry chops you hear whispered about across the bartop when he walks into the room. He produces. He sings and plays. He writes songs. He tours with top brass; picks his own band members; slides an R&B song your way like passing a love note. He’s impeccable. Don’t miss him. For fans of: Luther Vandross, Freddie Jackson, your own heartbeat

Filed Under: Artist Discovery, Independent Musicians, Interviews, youbloomLA Tagged With: 2015, band interview, community, DIY, featured artists, featuredartists, HEADROOM, lead singer, live gigs, live music, los angeles, millenial, music, music conference, music festival, music industry, music industry news, music scene, musicians, peformance, performance, spotlight, youbloom, youbloomLA2015

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