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You are here: Home / Archives for Artists / Independent Musicians

youbloom artist spotlight: The National Parks

04-Jun-2015 By Amy Van Daele

It has already been six months since youbloom rocked Los Angeles, and we were wondering what our artists have been up to. So we hooked up with The National Parks this week to see what they have been doing since youboom@LA. In doing this, we really got to know more about them and the history of The National Parks…

The National Parks is a band that originated in Utah in 2013 where Brady Parks and Sydney Macfarlane first met and began making music. Over the next couple years, they recruited additional members: Megan Taylor, Doug Patterson, Anna Meacham, Garrick Meacham, and John Hancock.

Their first album, Young, released September 3, 2013 and climbed to #13 on the iTunes singer/songwriter chart. Due to their success and the dedication of their fans, they were taken on the road with artists such as Andy Grammer, LeAnn Rimes and many others. They have played in major cities across the country including Seattle, Chicago, New York and, of course, Los Angeles.

the-national-parks-youbloom-artist

So, what are they doing now?

The National Parks have been busy since we saw them last November in Los Angeles. Their new album, Until I Live, is set to release on August 4th and we are told to expect the same fundamental elements from their previous album, but with a bigger and slightly “poppier” twist. We find this to be true when listening to the first single from the album entitled Ba Ra Ra, which was released through Baebel Music and can be heard here. We can expect to see the second single from the album released on June 2nd.

Also, we are excited to hear that to promote the new album, The National Parks will be touring the east coast in August and the west coast in September. Please check their website for dates posted already, and continue to check back as additional dates will be added.

We want to thank The National Parks for taking the time to update us on all of their excitement and we can’t wait to see what the future holds for them and the new album!

Filed Under: Artist Discovery, Artists, Featured Artist, Independent Musicians, Tour, youbloomLA

youbloom HEADROOM #5: Featured Artists from the Dublin 2015 Music Festival

31-May-2015 By Shannon Duvall

We’re back, snoopers and meddlers – – I, uh, mean fans! We’ve dug up more dirt and uncovered the bones of the bands that started it all for a second batch of youbloom Dublin 2015 Music Festival artists and musicians. They’ve all been incredibly gracious in sharing the deets of the awkward years (burns death threat; laughs nervously; files restraining order), and as ever, we’re super proud to show them some HEADROOM blog love. Be sure to check out your favourites at the Festival, coming up before you know it this June 12/13/14.

So, tell us about the first band you were ever in. Was it good? Cringingly bad? Is this the first one!?!?! Gahhh!! How exciting!!!

Leah (Singer) - 3

“Beware of You is the first proper band I’ve ever been in; they’re fine I guess. I let them talk to me sometimes…KIDDING! We gelled really quickly and we’re (like) a creepy little family who will send you picture postcards every Christmas. We love each other and have unreal craic, so making music comes naturally.”

– Leah, vocals, Beware of You

Gutsy, ambitious new act Beware of You have been busy this year drawing blood from the stone of pop punk and creating something earnestly elemental with their loot. Showing their colours, with influences the likes of All Time Low and Paramore, they’re ones to watch. See them on the Sweeney’s Downstairs stage on Sunday night, 14/6, at 10.30pm.

 

dk

“The first band I was in was at the age of 13, when I discovered The Libertines. I listened to their second album on my bed one night through a Walkman and it sounded like NOTHING I had ever heard before. The next week I bought an electric guitar and started to seek out like-minded souls. I found a few and we actually recorded an EP in a local studio. (It was) very “Libs” inspired; all Reebok Classics and funny walks.”

– David Keenan, singer/songwriter

Yes, he really did become famous for singing in a taxi. (Don’t believe it? See for yourself here: David Keenan taxi serenade) When voices like David’s come along, well, they usually clear a path through the musical landscape that takes years to fill back in again. It’s hypnotising, mighty stuff. Don’t miss his Sweeney’s Upstairs stage set, first on on Sunday, 14/5, at 8pm.

 

w

“My first band was a street punk band: fast and raw with lots of attitude. I always thought it was really bad, but all sloppy riffs aside, people loved to come to our gigs. I recently found that someone had uploaded our tunes on YouTube. It’s amazing that (the music) is still being listened to more than 10 years later.”

– Djollie, drums, WOB!

The latest in an esteemed line of technical wizards and engrossing Irish instrumental bands, WOB!’s spin on the genre is lighter, more ebullient; all the while respecting and commanding its complex formula and precision to deliver serious whomp. WOB! deliver a lively set from the Mercantile stage on Saturday, 13/6, at 8pm.

 

“A few of us in school formed what you might call a band, causing considerable mirth amongst everybody else. We couldn’t really play or sing, a fact that escaped us all. Our cheerier tracks used Emily Dickinson’s poetry for lyrics.”

Jerome McCormick, The Man, Imploded View

Imploded View is a one-man electronic alchemist and connoisseur of all things catchy. From the ethereal to the downright funky, his set’ll have your hips a-shakin’ before you can say “Why yes, I WOULD love more sneaky Bucky.” His appropriately late-night set kicks off on Sweeney’s Basement stage on Friday, 12/6, at 12.30pm.

 

“Well, I was never in a band. I started solo and remained that way for 14 years! I do have my own band now, which is kinda cool. I love the mix of doing solo gigs and then having (a) band with me. It’s the best of both worlds.”

– Rachael McCormack, singer/songwriter/badass

The Dublin powerhouse that is Rachael McCormack wields her talent like a barely tamed wild beast, chomping at the bit to give you all of what she’s got. Every shred the entertainer, with serious guitar chops and a voice that, no, will not sit down or shut up, she’s a whirlwind. She’s first on the Busking stage on Saturday, 13/5, at 4pm.

 

 

 

 

Filed Under: Artist Discovery, Featured Artist, Independent Musicians, Interviews, youbloomDublin Tagged With: featuredartists, HEADROOM, music festival, musicians, youbloomDublin2015

youbloom HEADROOM: Featured Artists from the Dublin 2015 Music Festival #4

29-May-2015 By Shannon Duvall

Artists and band members from the upcoming youbloom Dublin 2015 Music Festival are sharing little bits of their formative  years with us as we prod away in search of the source of all that musicality. We are proud to have them on the bill with over 50 incredible, unsigned acts, playing over five stages this June 12/13/14, and even more proud to have the honor of divulging what makes them tick.

Today, a new batch of rockers and minstrels tell us the story of the first time they knew that music was for them. N’awww.

Dublin City Rounders Selfie

“When I was 16 and I first got paid to drink free beer, eat free food, watch burlesque girls and rock out in the band Jimmy Willing & The Real Gone Hickups; that’s what did it for me. Music is magical for those making it and those listening. There are plenty of ups and downs, but we stick with it for those magical moments.”

– Rohan Healy, Dublin City Rounders

“When I realized that latex and black makeup is more comfortable than a business suit.”

– Al, Dublin City Rounders

TG4 darlings The Dublin City Rounders are here to party, bringing their trademark rabble-rousing, boot-stomping, rubber-necking sound to the youbloom crowd. Why is it so infectious? How did they write these wicked ditties? And what the hell is that guy doing to the bass? (Jimi Hendrix challenge accepted!) Their energy will blow you away on Sunday, 14/6 at the Busking Stage, 6pm.

 

IMG_1821

 “When I was very young, maybe around 5 or 6 years old, I wrote and recorded a song called “Mad Dog” in my father’s home studio. I played the drums on it, which I distinctly remember because my legs were too short to reach the kick pedal! The song was about a dog who chased the postman and wanted to eat him. I remember telling my father that when I grew up I was going to be the lead singer of a band who also played the drums. The drumming part didn’t pan out but one out of two isn’t bad.”

– Kim Monroe, Castle Creek

Everything is right with this band. They’re tight, bluesy, hooky, and inviting, and they’ve been winning over audiences everywhere they’ve performed since getting their rootsy rock sound together in the heart of New York state a few years ago. The soundtrack to your both your most nostalgic moments and all the beers with your best mates. Give ‘em a proper Irish welcome at Sweeney’s Upstairs stage on Saturday, 13/6, at 11pm.

 

miriamd

“The first time a friend introduced me to her work pals as a musician. Before I had time to object and say, “Oh no, I’m not a real musician,” they were asking me loads of questions about music. By the end of the night, feeling so happy, I realised that I wanted to start doing more with my songs. I booked my first venue, charged a fiver at the door, and 70 friends and supporters filled the room that night. And that was me hooked on being a musician!”

– Miriam Donohue, singer/songwriter

Like something unearthed from a time capsule buried in the early 60’s by a still-green Bob Dylan, Miriam Donohue’s music feels like a gift from a time when pop music was still silly enough to be bypassed by those with more on their minds than twisting and shouting. A capable writer, with a sublime delivery that will leave you speechless. She’s on the Mercantile Gallery stage on Saturday, 13/6, at 8.30pm.

 

photo (2)“Its difficult to pin point the one moment when I knew music was for me. It seems to have always been within me. Maybe when I discovered how cathartic writing songs was as a teenager, especially when I started getting my heart broken from pretty girls!”

– Christian Collins, singer/songwriter

With a voice that betrays a rich humility and fervent depth; reminiscent of Jeff Buckley’s greatest years, Christian Collins is not to be missed. This is triumphant poetry at its touchable best. He plays Sweeney’s Upstairs stage on Sunday, 14/6, at 10.05 pm.

 

rogal

“When I saw the first foot tapping to our music, followed by an outbreak of dancing, and then heard my first applause. Nothing beats playing live to an appreciative audience. Nothing!”

– Ronan Gallagher, vocals & guitar, The Ronan Gallagher Band

“Siderodromophilia – an obsession with or fixation on railroads, trains or train travel.” The music of the Ronan Gallagher Band seems to summon the wanderlust in us all, with wailing strings, blues cat vocals, chugging tempos, and a whole lot of things to reminisce about as the track goes by. As though the songs are merely turns of the radio dial, picking up on a permanent station, what they capture is raw; endlessly beautiful in its simplicity. They top off the night at Sweeney’s Upstairs stage on Saturday, 13/6, at 1.30 am.

 

Filed Under: Artist Discovery, Featured Artist, Independent Musicians, Interviews, youbloomDublin Tagged With: featured artists, HEADROOM, music festival, musicians, youbloomDublin2015

7 Ways to Make Your Email Newsletter Rock

28-May-2015 By Guest Blogger

7 Ways to Make Your Email Newsletter Rock

Typewriter-1

Ask a room full of marketers if they think that email newsletters are a great way to stay in touch with fans—dollars to donuts nearly all of them do; ask a room full of music fans if they enjoy reading newsletters—you tell me how they’d respond.

How’s your Zen? Creating an email newsletter that people enjoy reading and that will serve you as a musician will involve a few counter-intuitive choices. As illustrated above, a good email newsletter is both a really powerful marketing tool and really hard to pull off.

You’ve got a challenge ahead of you, but once you’ve created a newsletter that people actually enjoy reading, you’ll pull your head way above the rest of the inbox-blockage. With that said, what are the top priorities?

1. Keep a 90 to 10 Ratio of Information to Promotion in Your Emails

Billboards-1

I told you to get Zenned up. This tip comes from the marketing geniuses at Hubspot—the truth is, when you try really hard at something, quite often it will push back and the harder you try, the harder it will push back. The same is true for promotion: an email newsletter that’s mostly promotion will end up mostly in the trash. Because, honestly, who wants to read promotion?

Your priority is to give your readers enjoyment and build a relationship with them, very few people relate to purely promotional material. You need to market yourself, of course, but let this promotion consist of a few well-placed sections that fit with the theme of the email, rather than dominating it.

2. Calls to Action: Fewer is More

For readers who aren’t marketers (here’s why you may be both) a call to action (CTA) is the point in your email where you identify what you want your customer to read/buy/visit and give them a link to do so. So if your newsletter for a given week promotes a gig, the part where you link them to the box office is the CTA.

So, how many should you have per email? As many as possible? If you ask people to see your gig, check out your YouTube, follow you on Facebook and Twitter and check out your new Bandcamp page they’ll probably do nothing, if they ever make it to the end of the sentence.

The science is in on this one: according to Ubounce, when companies give people loads of choices, customers are actually less likely to buy than when given fewer choices. Ideally, you should have one main CTA to which you’re channeling readers and a couple of secondary ones—the fewer there are, the more they’ll stand out.

3. Write in Your Own Voice

Writing a newsletter that reads like a commercial is another way to send it straight to the trash; thanks to Go Forth Music for reminding us of this. Music fans are already bombarded with marketing copy—on their way to work, on television, on the internet—reading your email newsletter written in your normal voice will be a breath of fresh air by comparison.

It must be, of course, in snappy, standard conversational English, spellchecked and well-formatted, while keeping as much of your personal voice in there as possible. People signed up to your newsletter to keep in touch with you.

4. Nail those Subject Lines

These first three tips only really matter once your fans are actually reading your email, and the top way to get them to read it is a subject line that they can’t resist. Let me guess, you don’t want to to be sitting for 10 minutes picking at a subject trying to make it sound cool. This is why doing so will get your newsletter read, because it stands out against all the boring subject lines in your fan’s inbox sent by people who couldn’t be bothered to write good subject lines.

Venture Harbour observes how people love secrets, tips and other exclusive stuff. This is part of the reason why they subscribed, to learn more about you. So, in the headline, outline briefly what information your readers can access that isn’t available elsewhere, which of your secrets are you going to reveal? Beyond that, make those subjects short, descriptive, and start with the most important word.

5. Include Video

You should always use the tools and media that best suit your craft, and video is almost the perfect medium for music because of its ability to capture the impact of a performance. You can combine tip 4 with this one, too:

Take a high-quality video of your show or rehearsal and upload it to YouTube, but adjust the privacy settings so that it’s accessible only to people who have the link. Now your email newsletter can include an exclusive video, available only to people on your mailing list. Meanwhile, if your fans use Gmail, they’ll see a video embed when they read an email in which you include a YouTube link, so they can watch, listen and read all in one place.

Don’t worry, according to Brafton, 60% of people were using Gmail in 2012, and if your fans can’t see the embedded video, they can still follow the link.

6. Keep Your Audience in Mind

Audience-1

Know your audience and you will know how to make the best email newsletter for them—this will involve thinking like a marketer again, but don’t worry. Who listens to your music? If your audience is primarily teenagers who are always on their smartphones, try a stripped down format that lends itself to the small screen.

If your audience is older, chances are they’ll read your newsletter on their lunch break from the office. In this case, why not make it long form and send it off timed to give them something to read when they clock off.

Your artist page on Facebook can help you to access a lot of this information, such as age and location. With such a globalized market, it’s not unlikely for musicians to pick up fans around the world. Many EDM acts, for example, have plenty fans in Mexico City—why not write to them specifically, in their own language?

Your newsletter can even be a way, in itself, to learn about your audience. The popular and free email campaign tool Mail Chimp, for example, lets you see how many people opened your email and clicked on a link. This way, you can learn what works and what doesn’t and improve your craft with every issue.

7. Keep It above Board, Make It Easy to Subscribe and Easy to Unsubscribe

If you want to succeed, you have to get your newsletter out there: collect email addresses in return for free merch at shows, allow to people to sign up through your site, and so on. At the same time, make sure you don’t get yourself in trouble: though it may be tempting, don’t add people to your list if they haven’t explicitly signed up. Remember that really cool unsolicited newsletter you got last week? Yeah, me neither.

As Music Think Tank reminds us, you are legally required to have permission to add people to your mailing list and give them the option to unsubscribe. Make it easy to unsubscribe, too.

This may sound like a strange priority, but, put it this way: if someone’s tired of your newsletter and you let them unsubscribe easily (without searching the email for the right button or having to login to a website to update one of those retched ‘communication settings’ pages) you’ll part ways on good terms and they may even re-subscribe later on. You don’t want to annoy people or make them stay subscribed but just mentally black-hole your emails, which would be much worse.

This is how it’s done. Keep it Zen, genuine, above board and original, and you can add email to your armory of tools for building and maintaining your fan base.

Post by Oliver Cox.
Oliver Cox is a contributing writer for SplashFlood, a music promotion app. He writes freelance for a number of sites and brands, specializing in music. Coming from a musical family, Oliver loves to combine is interest in music with writing, to explore how the modern musician can find success.

Filed Under: Artists, Independent Musicians, Music Advice, Music Industry, Music Promotion

youbloom HEADROOM: Featured Artists from the Dublin 2015 Music Festival #3

26-May-2015 By Shannon Duvall

Artists and band members from the upcoming youbloom Dublin 2015 Music Festival let us come back and poke some more around their musical skull cases, and share a little of what makes them do what they do with us. As ever, we’re proud to have over 50 incredible, unsigned acts playing over five stages this June 12/13/14, and it seems only right that they give in to our meddling. Here’s what I wanted to know:

Tell us about the first band you were ever in. Was it good? Cringingly bad? Is this the first one!?!?! Gahhh!! How exciting!!!

ablearcher_rob

“Picture this: 1990. Newbridge, County Kildare. My mate Graham Coffey gets a drum kit for Christmas. He calls everybody in our gang at school and asks who has an instrument. My “Flock of Seagulls” brother had a Yamaha DX27 synth. So I was on keys. I could play the riff from “Live and Let Die” and that was all… but it was enough! We played (that song) over and over and over, and Metrical Faucherie were born. Some things shouldn’t be born, though; WE WERE AWFUL! But straight away I was hooked on being in a band and have been ever since.”

– Rob McDonnell, guitars, Able Archer

I love the bass. Furthermore, I love a great bass sound, coming through in the mix of a song like a runaway bus through a field of daisies. Able Archer respect the bass. I love this about them, along with their sound: insistent, pounding, turned up to eleven. Set to be a show of raucous proportions, be sure to catch them on Sweeney’s Basement stage on Friday, 12/6, at 11pm.

 

revjm

“My first band was a punk band called Utter Confusion. I played guitar and sang, but that was because nobody else did. We made a few waves playing at a school talent show. Our first gig (was) back when I was 16. We had a song inspired by that style of UK punk called Oi. We played a song that had “Oi Oi Oi!” in the chorus, and we offended a few folks because they thought that we were racist or anti-semitic. Lots of newspapers became involved; I think we were in the New York Times, and we even got into Rolling Stone over it! It was a little story that was big for a couple of days, but we weren’t racists or anything like that so it died after shortly thereafter. But I tell you, I certainly learned that music is an art that can sometimes bring about the strangest reactions in people.”

– JM Burr, Reverend JM’s Panic Worship

One of the best things about music in Dublin is that since the city is so small, bands from wildly differing genres often find themselves drawing influence from all the other unexpected sounds around them. Reverend JM’s Panic Worship is one of the best examples of this uniquely Irish “genre-less” sound. Dark, playful melodies wind out of an assembly of unexpected instruments, played with intimate know-how. A second-to-none act, they play the Mercantile Stage on Friday, 12/6, at 9.30pm.

 

IMG_20140719_095439

“Imagine four people who can barely play any instruments coming together to play a gig the next day. Best fun I’ve ever had. Stall The Digger for life!”

– Sean Wynne, lead vox and banjo, The Quakers

Yes. Just yes. If you’re not hooked from the count-in; blasted into the Quakers universe like a pistol shot in a gunfight over an insult to your Pa, and buoyed along by the gospel-meets-football-hooligan dynamism, then you, my friend have no ears. Possibly also no soul. Seriously good music. These boys are riled up and fit for fightin’, and they’re not leaving without you. Get shanghaied at the Busking Stage on Saturday, 13/6 at 5pm, and again at Sweeney’s Upstairs stage at 10pm.

 

Riot_Tapes_-_Elaine_nnn_panda

“The first band I was ever in was with two of my friends from secondary school. Well, we thought we were a band! We called ourselves Halo. We rehearsed about 4 times – in total! And we had a collection of ONE song, which I can still remember writing. I was the singer, one of the girls rapped, and the other one just busted a whole lot of dodgy moves! We were shite.”

– Elaine Doyle, vocals, The Riot Tapes

Synth melodies surge around a sturdy, attractive rhythm section, giving vocalist Elaine a heady platform from which to sermonise; all significant viva voce and ‘sweet-but-not-that-damn-sweet’ songcraft sass. One of Ireland’s most notable new acts, they play Sweeney’s Basement stage on Saturday, 13/6, at 8.45pm.

 

Filed Under: Artist Discovery, Featured Artist, Independent Musicians, Interviews, youbloomDublin

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