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youbloom HEADROOM: Featured Artists from the Dublin 2015 Music Festival #1

22-May-2015 By Shannon Duvall

Artists and band members from the upcoming youbloom Dublin 2015 Music Festival let us poke around inside the creaky corners of their musical minds and share a little of what makes them do what they do. We’re proud to have over 50 incredible, unsigned acts on this year’s bill, so it seems only proper to get to know as many as we can before getting our blessed cotton socks rocked off for three days. So I must probingly request:

Tell us the story of the first experience you can remember having with music:

 

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“The earliest experience I can remember is learning to play the recorder at school, around age 7 or 8. It was a squeaky, slow journey, but one that led directly on to picking up a saxophone for the first time & falling in love.” – Edwin Pope, saxophone, Mutant Vinyl


Mesmerizing, kinetic one-man electronic act Mutant Vinyl will be playing Sweeney’s Basement stage on Friday 12/6, at 1.30am. Hotly-tipped and irresistible, the live shows have attracted tons of praise – even from Sir Paul McCartney himself! Don’t miss this one.

 

 

 

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“…I was about 3 years old, I walked into my parents sitting room…they just got a new VCR and some video tapes, (and) one of the video tapes was Now That’s What I Call Music. The first video on the tape was Kylie Minogue, “I Should Be So Lucky”. (It was) the only one I wanted to watch. My parents ended up losing the tape (read: throwing it in a skip) because they heard it so many times and went mad. (They) ended up getting me a Walkman.” – Ahren-B

Sligo-reared and soulful, Ahren-B pushes boundaries both topical and musical with his unique Irish hip-hop. His is a masterful sound, deftly navigating the choppy waters of hip-hop crossover with lyrical clarity and carefully considered – never too pushy – rock layers. He plays Sweeney’s Upstairs stage on Friday 12/6, at 9pm.

 

 

“When I was a kid, I was in a choir but I got fired. Then when I was in the school band I was moved from xlyephone (sic) to triangle; can’t believe I still can’t spell it (xylophone, I mean; not triangle!) Once I broke into my brother Jimmy’s room to mess with his drums. But still, in spite of all the Led Zeppelin posters, my first record was “Long Haired Lover From Liverpool” (by Jimmy Osmond). Then, one Christmas I remember asking my dad for “Never Mind The Bollocks” by the Sex Pistols, but I couldn’t bring myself to say “bollocks” to him. Somehow it arrived on Christmas morning, though, and my life was complete… for a while.” – Clodagh Rooney, Reverend JM’s Panic Worship

“The answer to that could be very rude, and I’m sorry that I don’t have a very juicy answer. My mother had a record that her boyfriend had given her. It was a bunch of Franciscan monks singing in a choir, recorded in a big cathedral or something like that. She used to put it on when I was going to sleep at night and I could hear it from the record player in the living room. It was a truly beautiful thing to listen to when you were finishing your day, even as a little kid. When I got older I replaced it with Miles Davis’ “Kind of Blue”. Not the same, but similar.” – JM Burr, Reverend JM’s Panic Worship

One of the best things about music in Dublin is that since the city is so small, bands from wildly differing genres often find themselves drawing influence from all the other unexpected sounds around them. Reverend JM’s Panic Worship is one of the best examples of this uniquely Irish “genre-less” sound. Dark, playful melodies wind out of an assembly of unexpected instruments, played with intimate know-how. A second-to-none act, they play the Mercantile Stage on Friday, 12/6, at 9.30pm.

 

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“The gospel music I heard in church – at the time it was the only I music I listened to. When I was 7 years old, my older sister Melissa heard me singing off-key to one of the songs, so she took pity on me and decided to teach me how to sing. Through her training I eventually became the lead singer in the choir. It wasn’t until later that I branched out and was exposed to different genres of music. During a trip to Ocean Shores, Washington, my uncle gave me my first CD player. I was 11 years old and it was the first time I got to choose the music I listened to. I would go to the thrift store in downtown Seattle that had $1 used CDs and buy 20 random ones at a time and listen to one album after another. Some were amazing and some of them I didn’t like so much but that’s how I got exposed to artists like Joni Mitchell, Lauren Hill and Nick Drake. This has influenced my songwriting today.” – Shelita Burke, singer/songwriter

Seattle native Shelita Burke is something of a perplexity, raw of voice and precocious, charmingly facebook-shy; a warrior of the ideas kind. We can’t wait to welcome her to Ireland and be transfixed. She’ll take to Sweeney’s Upstairs stage on Sunday, 14/6, at 8.40pm.

Filed Under: Artist Discovery, Featured Artist, Independent Musicians, Interviews, youbloomDublin Tagged With: dublin, featuredartists, HEADROOM, musicians, spotlight, youbloomDublin2015

youbloom artist spotlight: Simone Snaith

17-Apr-2015 By Amy Van Daele

Simone-Snaith-musician-writerAt youbloomLA 2014, hundreds of artists and fans turned out to share in a common passion, music. Because of this, an amazing opportunity to meet people and to network was created. One of the attendees we met was Simone Snaith, musician and author. We had an opportunity to sit with Simone after the event and learn more about her music and writing careers.

Are you from LA or did you move here to be near the music scene?

I grew up in SoCal and have lived in several areas here, but I’m originally from Louisiana. I moved to CA with my family in 1988 because my mom wanted to be near the beach and mountains, and to have broader job opportunities. We moved to Norwalk first and then we moved to Culver City and later Redondo Beach. I moved into the Hollywood area from Redondo Beach around 2005 to work at a small indie label.

Can you tell us a little more about your music history?

In school, I was always in whatever choirs or choruses were available, but I never learned an instrument and I didn’t really try to write songs until college. Both of my parents are musicians who played in bands in Louisiana when I was a kid, so I was always around music. Now, I play guitar. I started learning after college – about 2002 – but I’ve only played seriously for about a year.

I joined my first band around 2001. In this band, we didn’t get along, so there was a lot of fighting and misery. In my later bands I struggled with keeping members that were committed to practicing or who weren’t too busy because they were in ten other bands. The first band was post-hardcore and I sang and wrote the vocals, and the later bands were actually the same folk/rock project with different line-ups because of the aforementioned losing of musicians. In those, I sang and wrote the songs. The first band went on two independent tours where we booked shows around the country and drove in a crappy van that broke down repeatedly. We mostly fought the whole time, but we did have some fun adventures.

What are some of the struggles you have had along the way?

It’s difficult to find a group of people that are reliable, that you get along with, and that play the right kind of music. That is more or less why I’m playing solo now. I was previously always the singer and songwriter, so I had to teach myself guitar to play alone, which is difficult for me because I have a work injury that caused me tendinitis. Playing solo also revived some stage fright that I shook off way back in my first band! But I get by and I’m proud of myself for carrying on solo.

What are your thoughts on breaking into the music scene in LA?

Obviously, the LA music scene is very crowded so it’s hard to get anyone to pay attention to your music. Also, it’s gotten better lately, but there are still a lot of venues that demand that you bring a ton of people. I think that making friends with other bands and booking shows is a big help, both in getting a bigger crowd at shows and also in making connections for finding things like band managers and photographers, etc.

What are some of the musical projects you are working on currently?

Turning Violet is my solo project and I play at venues such as La Cuevita, La Cita, Timewarp Records, and The Viper Room downstairs. This project is the result of no longer wanting to try to keep a band together, but just playing my songs by myself! I really enjoy the freedom of booking shows without worrying about schedule conflicts, and being the sole decision-maker. Right now, I’m focusing on playing gigs, but I will probably try to record down the road. I’d like to record a Turning Violet EP, but I’ll need help with that on the technical end and probably on guitar too!

I’m also a writer and am currently finishing up a new novel. I’ve been writing stories ever since I could use a pencil, and so I majored in Creative Writing in college, and mostly focused on writing short stories at first. Right after college, I wrote several screenplays but decided that screenwriting wasn’t my thing, so then I began to write novels.

Around 2007, I completed a young adult book and began submitting it to agents; I signed with Dystel & Goderich and have written 4 other novels since then, but none of them have been published, so I have started self-publishing and now have 3 of them available as ebooks: ‘From The Ashes’, ‘Through The Eyes’ (a young adult vampire series), and ‘The Indigo Stone’ (a fantasy novel). The first two are available on Amazon, Barnes & Noble, and iTunes, and the last is on Amazon. A physical paperback version of The Indigo Stone will be available in about a week on Amazon, and in a month or so in stores! I would love to be able to make my living as a writer and continue playing music as much as possible. That has been my lifelong dream.

What was your experience attending youbloomLA?

I went to two sessions at the conference, one about licensing music and one about marketing. I knew some of the information already but it was interesting to hear it from the perspective of people working with major artists, etc. The speakers seemed very knowledgeable and the other attendees had good questions. I think the host bands concept is a great idea to help the out-of-town acts make the most of their time while they attend the festival.

What advice do you have for aspiring artists that are trying to make it in the music industry?

As far as advice, I can reiterate that networking with other bands and booking shows together is helpful for getting decent size crowds and future show opportunities. I would also suggest making the most of social media, including buying the occasional Facebook ad, etc., to get your page more visibility, as well as just being active online. I think focusing on building a following is the best way to break through the hundreds of bands out there, to establish name recognition and have people hearing about you, looking you up, coming to shows.

We are looking forward to getting to know some other youbloom artists and music lovers at youbloomDublin Festival and Conference. Join us on June 12th/13th/14th so that you can create your own connections and we can get to know YOU! Read more about the Festival and Conference HERE (www.youbloom.com/dublin-2015/). Additional details and tickets available soon.

If you want to learn more about the youbloom community follow us on Facebook, Twitter, and Instagram and check out our new youbloomTV channel on YouTube.

Please take a look at Simone’s work below:
www.simonesnaith.com
Facebook — Turning Violet (music)
Facebook — The Indigo Stone (books)

Filed Under: Artist Discovery, Artists, Featured Artist, Independent Musicians, Interviews, youbloomLA Tagged With: music industry, music scene, writing

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