Where To Find The Best Up And Coming Bands

14-Jul-2017 By Guest Blogger

In this day and age, we are constantly inundated with new music from a multitude of channels—Spotify Discover Weekly Playlists, Youtube recommended videos, and releases pouring onto every streaming device you can think of. And say what you will about the quality and style preferences heard in some of today’s hottest tracks, it is truly an exciting time for the music industry.

However, sometimes all of this new music can be overwhelming. If you are an avid music lover like me, you want to know how to block out the fluff and find really great up and coming artists. But this is easier said than done. Of course it takes a lot of time and effort to stay current in today’s music industry, but check out some of these tips if you’re interested in finding the next great artist.

Check Out Your Local Open Mics

No matter where you are currently living, chances are there is a bar or restaurant somewhere in the vicinity that hosts an open mic night. Open Mic Nights are a great way to get the community involved, draw a crowd, and ultimately provide free entertainment for the establishment.

Next time you see a sign for a local Open Mic Night, or any other local music gigs, make a note to check it out one night. You might be surprised by the kind of up and coming talent that is just starting to get out there.

View Trending Tracks on SoundCloud

SoundCloud is a wonderful place to go to find up and coming music. The platform tends to lean towards independent and DIY artists, so you can be sure that all of the likes and shares are authentic. No matter what kind of music you are into, you’re likely to find some really great artists on SoundCloud.

If you’re in the mood for something new, check out the top songs and most shared tracks on SoundCloud. Many of the top tracks on SoundCloud are also featured on the most popular music blogs and publications as well.

Head To Shows Early To Catch The Opening Acts

Live shows are often fairly long endeavors, and can go pretty late into the night. Not to sound like a total buzz kill, but it’s important to plan ahead so that you have enough stamina to last the entire night. But that said, some of the best new up and coming artists are most likely on tour opening for the bands that you already know and love.

If you have any upcoming music gigs planned, trying going on the earlier side to catch some of the opening acts, as this is a great way to find the newest talent. These are bands and artists hand-picked by the headliners, so you can be sure that they are on the rise.

Staying on top of the latest music industry trends is exciting and fun for anyone with a passion for music, but the platforms and methods for finding new talent are always changing, and it can be very time consuming to weed through the noise to find the really good stuff.

Next time you’re on the hunt for a hot new up and coming band, try out some of these tips and let us know if they lead you to any artists that you plan to follow for years to come.

Author bio:

Freddy Tenny is an audio engineer and avid music lover. He owns and operates Rivington Music Rehearsal Studios, a legendary music and band rehearsal space located in the Lower East Side of Manhattan. These studios first opened in 1988 and boast an all-star list of bands and artists who have practiced in them.

The 3 Best Ways to Get Fans to Shows

14-Jan-2017 By Ryan Stable

Playing a live show is one of the best things that bands can do for their music career at any stage. It helps them connect with fans and one of the leading ways to get paid in the industry. With all that being said, it is still hard to get anyone to go to shows. They want to watch everything online and not have to leave their homes. Fans want to come and see you live, but sometimes even they don’t want to leave. You have to peak their interest to want to go. There are many ways to help get fans interested in coming out to your shows, but only a few very effective ways to get fans to shows. Here are the 3 best ways to get fans to shows.

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A Californian in Dublin: Travels of a Busker

12-May-2016 By Shannon Duvall

It takes a lot of nerve to walk out on the street with an instrument in hand and start playing and singing for everyone to hear. But what about hopping on a plane and walking out onto the streets of a totally foreign city to do the same? That takes more than nerve – that takes cojones. Californian busker Albert Khalbourji did just that when he flew to Ireland with only one thing in mind: to share his music. Along the way, he had more than his fair share of adventures, which he recounts for youbloom here in A Californian in Dublin: Travels of a Busker.

Busking in Dublin

DAY ONE

I arrived in Dublin from England on the 15th of March ready to busk my heart away! I had my guitar and harmonica and my handy dandy backpack. I was determined to start playing as soon as I got off the rather short flight but the weather was against me. It was extremely cold. In California, where I’m from, the weather had never affected my busking, so this was new. I headed off to Blessington, the place I would call home for the next two weeks!

I left the shop with my guitar and walked through the beautiful St. Stephen’s Green Park. I thought I had seen a lot of green in England but Ireland is engulfed with nature!

DAY TWO

The next time I went to Dublin was St. Patrick’s Day. The weather was beautiful and the sun was shining brighter than I had seen in awhile! I figured I would go into town and play on Grafton Street. On the bus to Dublin I met this nice lady named Ciara who struck up a conversation about music with me. We were talking about all sorts of bands, most of whom I’ve never heard, but then we got onto the topic of why I was in Ireland. Why hadn’t I stayed in sunny California? The truth was, I was determined to share my music with the world and what better place to take my folky acoustic style to than Ireland!? I didn’t end up busking on St. Patrick’s Day, opting instead to hang out with some great Irish people and celebrate a great holiday!

No one turned their heads to listen, but that was something I was used to; not everyone has time to listen. The world is changing, people are continuously on the move.

DAY THREE

I was starting to get the hang of taking the bus into Dublin (might I add the buses have Wifi!?). Today was the day I would go into town and busk my heart away. I arrived in Dublin and went to a sandwich shop. I can’t recall the name, but they made fantastic sandwiches. I didn’t know what I wanted so I told them to surprise me! And they did! It was called a California Chicken – an amazing sandwich. I left the shop with my guitar and walked through the beautiful St. Stephen’s Green Park. I thought I had seen a lot of green in England but Ireland is engulfed with nature!

One thing I noticed while I was in Ireland is that the people are very caring and they appreciate good music!

Travels of a Busker — Albert with hero and legend Donovan!

I found myself on Grafton street and felt intimidated by the many passing people. I made my way to the pub from the night before and found a little flower stand set up outside. I built up some courage and started to play my guitar little ways away from the flowers. No one turned their heads to listen, but that was something I was used to; not everyone has time to listen. The world is changing, people are continuously on the move. And my acoustic guitar is just too quiet without its amp, meaning I can only play so loud before the sound gets jumbled. Sometimes I will sing but I usually play the harmonica instead. I think it can be agreed that it’s louder and more attractive than my voice!

On the night of the 20th, I missed my bus back to Blessington so I had to stay in Dublin with nothing but my guitar.

The flower lady came up to me and told me to move to a better spot, one she was pointing at, a spot where people would hear me better. One thing I noticed while I was in Ireland is that the people are very caring and they appreciate good music! I began to play and blow my heart into my harmonica and I made my first euro! It’s always exciting to make the first quid. After an hour or so, the weather became more frigid and my fingers froze! Busking in Ireland or England – or anywhere cold, really – takes a lot of willpower. It’s tough just to get up and go outside, nevermind stand in the cold and play. I do a little jig as I play, just to stay warm.

On the night of the 20th, I missed my bus back to Blessington so I had to stay in Dublin with nothing but my guitar.I roamed Grafton street busking from one pub to another because I ran out of money. But I noticed that I made more money when people were drunk, which perhaps is no surprise. People enjoyed my music and I enjoyed their company. As time went on, the colder it became. I wandered around looking for a place to sit because it had begun to rain. I found a shop that was out of the way of the weather and set myself up. I sat and waited til the sunrise came. Not long after the that I got up and started my day. Busking on Grafton street was really an experience I will never forget.

It was like I was lucky the whole time I was there.

FINAL THOUGHTS

One thing that helped me along my journey was carrying my guitar with me all the time. Not only did I get to play but people always seemed shocked that it’s not in a case. I’ve had people in a pub ask me to play a song, so I play something funny like Piano Man on guitar. The whole place starts singing. I’ve even gotten to play a few songs at a pub because the bartender struck up a conversation about my music. All in all, busking around Ireland was very fun and successful. I learned a lot about myself and I can’t wait to go back! It was like I was lucky the whole time I was there.

**Are your cojones the size of Albert’s? Could you busk your way around a city halfway around the world? Have you done it already? Tell us your thoughts in the comments below.

The Top 5 Ways to Build a Better DIY Music Scene According to “Salad Days”

26-Jul-2015 By Shannon Duvall

It’s not so much the unpaid gigs. That you can handle – for now, at least.

It’s more the lack of sustained recognition; the very real blood, sweat and tears channeled into creating and sharing your music, only to receive enthusiastic responses in fits and starts. Those silent pockets of time between gigs make you want to put your mic stand through the computer screen.

The struggle is real. Photo of The Faith by Jim Saah.

You know your music is good, your audience knows it’s good, but how on earth do you get – and keep – the kind of momentum you need to make this what you do for a living?

It’s no secret that a lot of people in your local music scene are distracted. Last year’s music report by information measurement bastion Nielsen showed that, despite access to unlimited sources of new music online, the radio is still the source of the majority of new music discovered by Americans.

It’s as if fans still want the industry to do the legwork for them, telling them who’s worth listening to and going to see live. And research shows little likelihood of this trend slowing.

It’s a result of what has been dubbed “the tyranny of choice”. Simply put, with so many options out there, it’s easier and less risky for listeners to follow and spend money on artists who they perceive to have already proven their popularity. And all a record label has to do to make you perceive an artist in this way is to spend millions of dollars on PR and marketing campaigns, along with relentless radio play – money and resources up-and-coming musicians simply don’t have.

The truth hurts. Minor Threat. Photo by Jim Saah.

Still, music scenes survive – even thrive – on their own, far from the bank accounts of corporate music institutions. Often, it’s these scenes, organically grown and self-sustaining, that catch the attention of label scouts, leading to the discovery of a wealth of musical talent. Think CBGB-era New York, or the grunge scene of 1990’s Seattle, which exploded into a pop culture force majeure.

Salad Days, A Decade of Punk in Washington, DC, is a documentary chronicling one of the most influential DIY music scenes in American history.

It’s a rousing, thorough journey through the hearts and minds of musicians in 1980’s Washington, DC, who, without support from major – or sometimes even minor – labels, set out to take control of their own exposure, making and distributing their own records, creating their own record labels, putting on their own gigs in any spaces they could, and self-promoting by way of independently made ‘zines, posters, and mail order setups.

Without directly preaching, the film has a lot to say about how you can (and really should!) build, strengthen, and work to sustain the music scene in your own town.

Embrace everyone. The next generation of music heroes are going to be inspired by what’s going on right now, so you want them in your audience.

Consider the power of all-ages shows.

These can be held in outdoor spaces or school gyms, auditoriums, or rec centers. If you’re playing at a bar or in an establishment which serves alcohol, talk with the owner or booking manager beforehand to find out what they’re willing to allow. Often, the solution to letting underage fans into bars and clubs is as simple as marking their hands with visible X’s, so that bar staff know not to serve them alcohol.

Play music because you want to. After this, your reasons for strumming that guitar or writing those lyrics are your own. There are no rules, and no forms to fill out. Every reason for playing is a valid one, even if all you want to do it is to try it out for the laugh. If you have a message, by all means, share it. If you don’t, don’t feel pressure to come up with one for the sake of it. Don’t let anyone stop you or make you feel like you should explain yourself. Just show up and play.

I don't know what it is but I like it. Photo by Jim Saah. — I don’t know what it is but I like it. Photo by Jim Saah.

Play music for each other (and support others who do) because it’s inherently human. Western culture has somehow managed to appropriate music as the specialty profession of a select few, which, in other parts of the world, is crazy, because in most other societies, making music is something everyone does. Don’t fall for the hype. You’ve got a right to play. Encouraging others to do the same leads to a super creative DIY music scene you’ll be proud to call your own.

Hook each other up. Maintaining a strong, convicted community is the only way this works. Whatever your skill or skill level, get involved.

Ian MacKaye and Jeff Nelson of Minor Threat, hard at work in the front porch/Dischord Records office.

Offer up any resources you might have. Got a car? Offer to drive bands to and from gigs. An empty space can be a spot for bands to play shows or hold practices. Have access to a printer or photocopier? Help make posters, album covers, and ‘zines.

Share your talents and skills. Everyone has something they can contribute. Write reviews. Take photos and let the zine guy use them. Draw some sweet cover art or cut and paste a rad collage for a poster. If you’re good at talking to people, offer to answer phones for small labels. Give bands crazy haircuts. The options are literally endless.

And, hey, while you’re at it, promote equality. Everyone should have a shot and a say.

Get off your butt. At the end of the day, none of the talent and support matters without a motivated, no-nonsense approach to getting things done.

A strong DIY music community is one where bands and fans come together, show up to each others’ gigs and events, and stay active. That means not waiting around for something to happen. No one will release your record? Do it yourself. Remember that just by doing stuff, you’re contributing to the history and substance of the DIY scene in your time and place, as well as the formation of new, exciting music to come.
And don’t wait for tomorrow. Mark Andersen (founder of Positive Force, an activist group that was instrumental in organizing music and social events within the DC scene) agrees. “(The time) is always now,” he insists. “So go. Make it real. NOW.”