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You are here: Home / Archives for Global Music Village / Music Industry

How to be a great lead singer

02-Jul-2014 By admin

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The Hot Sprockets delivering at youbloom Dublin

Mike Murphy explains that fronting a band is no easy task and examines the issue of how to be a great lead singer.

Anyone that thinks being a great lead singer is easy does not understand the skill. Sure, anyone can stand up in front of a band and pose as a lead singer and vocalize in some manner, but that is not what makes them great. Mastering the skill takes developing charisma, timing, having a solid understanding of the material being presented, delivery of the material, and a voice that fits the genre. We have all seen lead singers we have loved and hated.
It’s a rough business.

How many of us have looked at and listened to a band and evaluated the singer to a higher standard? I think we all have; it is instinctive. Why? I think many people, especially non-musician types, do not recognize being a lead vocalist as a real instrument; like drums, guitars or keyboards. Being the lead vocalist is perhaps the hardest instrument to master! A band can have all great musicians, but if the singer sucks, the overall opinion of the band suffers.

Sure there have been lot’s of bands who have made it in the music industry without the luxury of a serious or strong lead vocalist. Some last only a short time and have lineup changes. Other bands, adapt the music around the singers voice and make it work. I won’t cite specific examples because my opinion may differ from someone else’s as to what is good and what is bad. However, I can think of great punk bands and rock bands that made the music work around the abilities of the singer.

When I evaluate a lead singer’s talents, I first decide how his or her look fits with the band. Let me give you an example. If you are watching a heavy metal band and the singer is dressed like he is in a surf music band, in Hawaiian shirt, shorts and flip flops, I might wonder what is going on. I would be distracted by that personal presentation because it does not fit the genre. I don’t care how good the singer is, he or she is a fish out of water. A singer has to look the part depending on the music being played.

I want to know if the lead vocalist can really sing and/or is singing on key. Granted, different genre’s have different ways of “singing” the lyrics. I get that, but the important part is how he or she will manage that vocal ability throughout the show. Is he or she going to lose power with their voice or lose it entirely. Singing death metal and pop music are two completely different styles and presenting the vocals is very different. Some would argue that yelling vocals and screaming are not singing. It is expression and singing is just that; expression. Some singing is just more melodic than other styles.

I grade hard on what the lead vocalist is doing with themselves while performing or while the band is playing and they are anticipating the next line. Is the posture good and appropriate for the tune being performed? Certainly you would not want to see a vocalist presenting an aggressive posture while doing a soft ballad! Turning your back on the crowd is a big no-no in my book. Back away and go get your sip of water, tambourine or whatever you need to do. How much does the singer interact and look at the crowd; not just the people up front, but the sides, the middle and the back of the venue? Using the entire venue is critical.

Being a lead singer is definitely not easy. It is very much a skill. Mastering that skill takes a lot of hard work and dedication. Many will fail a bunch of times before he or she finds the right fit and can consistently perform the craft. In many ways becoming a professional lead singer is a survival of the fittest activity. The music industry, especially for a lead vocalist is a rough business. The strong will survive unless he or she has self sabotaging behaviors. That’s a topic for another blog. Happy singing!

Mike-Murphy-youbloom

Post by Mike G Murphy. Mike G. has been writing songs for 35 years. He studied voice at United States International University in San Diego California and has a Bachelor of Science in Business Management from the University of Phoenix.

Filed Under: Artists, Independent Musicians, Music Advice, Music Industry Tagged With: lead singer, stage presence, vocals

Top 5 Tips to Impress A&R Scouts at a Live Show

03-Jun-2014 By admin

 Impress A&R Scouts at a Live-Show.jpg June 3, 2014 1000 × 606 Edit Image Delete Permanently
Thanks to Laurence Malpass from Music Gateway for this article.
Jon Skinner (Music Gateway’s CEO) will be speaking at the Conference in June.

Despite the digital age creeping into every area of our lives, A&R scouts still have a large presence at live gigs, and the art of appealing to them is a subtle but important one. It can mean the difference between a few shows one summer, or that summer you signed your dream deal. So we’ve pulled our heads together and come up with a few things you can do to make sure you’re turning heads.

Performance

This is more than just technical ability and having good music, but the ability to express these things by actually enjoying yourself on stage and playing the crowd. Hyping them up and drawing them in close when it’s appropriate, getting them to follow your energy, and giving them a dynamic and exciting show!
Beyond the music, being on stage is about having presence. Your body language speaks volumes, and if it’s in sync with your music and vibe the performance is that much stronger.

Styling

This is a big part of your image and branding and is a tool for sticking out from the crowd. You can get away with jeans and a hoodie sure, but that’s not memorable. Ultimately it’s the music that’s important, but if your style is in sync with your music and performance it just leaves that much more of a mental impression on someone who goes to gigs for a living.

Bring A Crowd

Obviously a large part of what an A&R scout is looking for is your ability to pack out a venue. If you’re a small band, try and go for smaller venues, it looks much better to have a small room jam-packed with twenty to thirty people, than a large venue with the same amount spread out. Know how many people you can get to your shows, and go for the venues that relate to that number. You will grow as you keep playing, and as you do, the more likely it is that you’ll play a gig where you’ve got a scout hanging about, and when it happens you’ll want to make sure the room is full of die-hard fans that are there to see you play.

After Show Engagement

The show isn’t over until you’ve left the venue, at least not in the eyes of an A&R Scout. They’ll be watching how you conduct yourselves and manage every aspect of your music, from before you get on stage to how you meet and greet the fans afterwards. If you’re selling stuff that’s great, scouts love a band that takes charge of their affairs, it shows that they’re serious about their music and are thinking of the future. I’ll always remember what my music business tutor told me about merch though, “Don’t ask them to buy your stuff at the end of a set, just say ‘We’ll be over by the bar if anyone wants to chat’, and when they come over, don’t ask them to buy it, if you’re holding it casually in your hand they’re much more likely to ask you about it and buy it as if it’s their own idea. You’re musicians, not salesmen.”
This is a tactic that is tried and tested. People don’t go to gigs to buy merch. But they do go to see their favourite bands, and if you invite them to have a chat, and they’re wondering what to talk to you about, and see your CD in your hands, they’re much more likely to offer to buy it, than if you’re shoving it down their throats.
If an A&R scout sees you selling loads of CD’s, bingo.

Memorable Part of the Set

I had a friend who was in a hard rock band, and he always ended his sets by jumping into the crowd, more often than not he got them hyped up enough to be able to surf them. But even on the nights when the crowd weren’t up to the challenge, finishing a song lyric lying in the middle of the floor with the wireless mic (very important part of this technique) was a hugely memorable moment of the night, and will stick in an A&R scouts head long after the gig, and he’s forgotten about all the music and clothes and flourishing touches. I’m not saying you need to literally break a leg every time you ‘jump’ on stage. But having something imaginative, or extreme or clever, or whatever little thing it is that suits your style to capture the attention and hook your scout it’s going to work in your favour. (As long as you don’t actually break your leg, I want to stress that, as that can go pretty wrong, and you probably won’t be hearing from the scout if you can’t stand up afterwards.)

Live gigs are a very important part of any musicians career and the shows should always leave fans desperate for more. Make sure every gig is better than the last, constantly up your game and who knows… you may even find yourself turning the head of your ideal A&R scout.

Filed Under: Artists, Independent Musicians, Music Advice, Music Industry, Music Promotion Tagged With: A&R, live gigs, peformance

Free live gigs in the Dame District, Dublin

26-May-2014 By admin

free-live-gigs-Dame-District-youbloom

Radio Nova recommends…

A music festival, and it’s much more than just a free live gigs.

“youbloom at Dublin back for it’s annual festival including a music conference and free live gigs in the Dame District. Starring emerging artists from around the world. The music conference is set for June 14th and 15th in the Royal College of Surgeons and it’s a unique learning experience packed with vital information and tips you need to do well in the music business.”

Keynote speaker Alan McGee (former manager of Oasis and Primal Scream) will be joined by author and music critic Neil McCormick for a Q&A session. Production and A&R masterclasses will be provided by industry veterans Nigel Grainge, Rupert Hine and Alex Von Soos.

Press play to hear more…

http://www.youbloom.com/wp-content/uploads/2014/05/Nova-Recommends-Pat-YouBloom-19-05-14.mp3

If you’re serious about a career in the music business and find yourself in Dublin this June the conference is a no-brainer, and at €20 for an all access pass you can’t go wrong. Tickets are are selling fast, book yours now.

Otherwise enjoy the free live gigs, a full programme will be announced shortly but in the meantime check out the youbloom@Dublin host bands.

Filed Under: Independent Musicians, Music Advice, Music Industry, youbloom Official, youbloomDublin Tagged With: live gigs, performance

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