Danu5ik Interview – Part 2

29-Jan-2018 By Robert Loustaunau

In the second half of my music interview with Danu5ik, he and I tried to pin down what exactly it is that gets an artist’s creative water wheel spinning. Also, Daniel offers sage advice on how to mine that creativity once it’s found. We also discuss his newest project and how EDM is being changed by increased collaborations between DJs.

You were talking about getting hit with this surge of creativity. Could you talk more about how that hits you?

I find it very difficult to sit down in the studio and say I’m going to pump out something. Usually, when I try to do that I end up with tracks that get put on hold for a later date. You can’t really force creativity. Chances are I’ll be sitting in an airport when a concept for a track will come to me and I’ll pull out my laptop and see where I can go with that.

LA was an amazing experience meeting everyone at youbloom. The ideas that were pitched and listening to everyone else’s sounds, those things are really inspirational.

Do you have advice for musicians or artists on how to develop that initial stroke of creativity into a fleshed out piece of work?

Yes, go outside. Take a deep breath. Sitting down in front of the keyboard or guitar is one thing but what I’ve found is if you try to push yourself after that certain time, that creativity just goes down. So do something completely different and then go back to it. What you’ll find is when you go back to that track you’re coming back with a different take but you’re keeping that energy level there.

Anyone who knows me knows I’m about high energy; the enjoyment, the laughter, the happiness. Music to me is an aura, it’s supposed to transition fluently and be able to captivate people in the way starting a conversation with someone new does. You need to be able to just open up your mouth and say “Hello.”

If you missed Danu5ik’s newest Single and Music Video in Part 1 of the interview then take a peak. Or just watch it again. It’s as good the second time around.

Imagine wasn’t created all in one day, it was created over time and it was something I had to listen to over again. Whatever you’ve created you do need to get it reviewed by someone else, either friends or family. Feedback is everything, that’s the only way you can know you’re on the right path.

Yes, I feel like there is this tendency among musicians to hole themselves away until they create something worthwhile but what I hear from you is the opposite.

Yes, if you want to inspire to make something great that goes around the world, than you need to be able to show people that you’re not just an artist in the studio not connected to your fans or the world. You need to be able to show them that you can get out there and enjoy life, accept feedback and learn from others. That can only make your music better and that differentiates you from every other artist.

How do you find a space for collaboration in an EDM circle? Do places like youbloom foster that connection?

LA was an amazing experience meeting everyone at youbloom. The ideas that were pitched and listening to everyone else’s sounds, those things are really inspirational. For instance, being a part of youbloom I’ve been able to listen to so many other electronica artists and we get to pitch ideas at each other. It’s all about networking and youbloom is fantastic for that being able to connect different artists from different genres because you can never tell where a collaboration may occur.

32. At youbloom it’s great if you have different artists approach you and say they like your sound and want to come up with something. You can never tell where the next hit will come from. I got collaboration requests from youbloom Dublin and that was fantastic. You get to learn more about other artists and in a sense you’re piggy-backing off of each other in a positive way. The top artists wouldn’t be where they are if they hadn’t started somewhere similar so for local artists it’s a great opportunity.

What’s your vision as Danu5ik going forward?

At the present moment we are planning a US tour in the new year that takes place from New York to LA and a tour in Canada in 2019. I look forward to it! It gives me a perfect opportunity to connect with fans across the world and visit these different cities and make them a part of the live experience.

Is there a different type of atmosphere when you travel to these places you haven’t played at before?

As a DJ you always have to read the crowd. When I perform in different places where the fan following isn’t that strong it’s always interesting to see how those new fans listen to the music and see how it captivates them or doesn’t. For me, it’s always great to take those few moment before performances to connect with fans because I don’t want to be one of those artist who just comes to do the performance and then is out the door. You’re here for the fans so connect with them. It adds more of a one to one with them which is what I set out to achieve and they know I’m always in arms reach or they can take a picture with me or we can grab a drink if it’s a small location.

Its always going to be a challenge to be a local artist.

Never give up on your sound. Know that your sound will evolve.

Do you have any advice for other artists who are trying to make it in this industry right now?

Never give up. I’ve met a lot of artists who always struggle with this. Its always going to be a challenge to be a local artist. Never give up on your sound. Know that your sound will evolve. Keep networking, there are various outlets you can learn from.

It took me going to LA and talking with Andy Gould and he said it quite clearly, the info is there for us artists, it’s all laid out. We don’t have to find things difficult because if you want to connect to another artist there are avenues there. In terms of creating new sounds, there is a wide range of tools out there, experts that can give you feedback. Just reach out and never feel like you’re alone because you’re not.

17. You heard it here folks, Danu5ik has got fresh beats cooking in the oven so follow him at @DDanu5ik to know when those tracks hit. Also, Danu5ik will be at youblomDublin for the 2018 Music Festival & Summit (May 30-June 4) and you should be too. All bands gain free admission to the 5 days of musical performances, workshops, and master classes about navigating the music industry. Apply To Play -Deadlines hit February 19th.

Danu5ik Interview – Part 1

22-Jan-2018 By Robert Loustaunau

Danu5ik, the award-winning DJ and producer from Edmonton, Canada has recently dropped his latest in a line of captivating music videos and singles, Imagine. Today, I sat down with the man behind the sleek EDM beats and dreamy vocals, Daniel Lee. With a few international music awards under his belt, including the prestigious IMEA Electronica Artist of the Year for 2016, Daniel was the clear choice when youbloom decided to shine the spotlight on a local artist who was finding success in the music industry. In this two part interview, Daniel and I talk about the cosmic flavor of Imagine, the molting EDM scene, and what goes into finding international success as a local artist.

First thing I have to ask, where did you get that space suit for Imagine and can I get one two?
Getting the space suit was actually a bit tricky. We tried to get one of the Apollo space suits but those are pretty rare. And I’ve got to tell you, those space suits can get pretty hot especially when you’re on set all day. The suit was a really interesting idea when the song was first created. I wanted to do something with a twist.

What were some of the ideas behind Imagine?
The concept behind Imagine was that it was a journey and it’s about this Spaceman in the middle of nowhere and he got lost and wanted to be able to find his way back and he spent all his time in space alone so it’s about getting back into that social circle.

Yeah, that message of dissociation from social groups really comes out. The whole video is fun to just watch but also you’re able to put this deeper underlying message into it.
Well that’s what I really wanted to achieve with it. We’ve become so in tune with social media that we disassociate ourselves with the person sitting right by us. We are always in tune with our phones but how do you reintegrate yourself with society?

If I reflect back on myself back in 2017, going down to youbloom Dublin and meeting new faces and having such a blast or going to LA and connecting with so many people out there. No matter where I went it was fantastic but you have to put yourself out there and that was the message I was trying to achieve with Imagine.

Imagine Music Video – Danu5ik

When did music making begin for you?
I started to dabble in music when I was in high school. My music teacher, he had this old Yamaha keyboard synthesizer connected to a monitor and I didn’t know the logistics of the hardware itself but it was able to synthesize some amazing sounds and I used to spend my lunches there just creating unique sounds and dabbling there.

Moving forward I didn’t do anything with music for awhile and it was only in 2014 where I actually started to jump back into it. That’s when I first came out to Canada and that’s what evolved into the first album, From Sea to Kanata, which is a very Deep House kind of sound. Edmonton was still relatively new to the EDM scene and I wanted to put something out there that could show other artists what this is and what my take on all of this was.

And how do you feel your sound has evolved since then and how have fans responded to it?
Now my sound has evolved from House to more of Electro-House. Especially when I look at a track like Imagine, it’s just a banging track and I love the fact that when I create these tracks fans have such a positive feedback. That’s not to say its always positive but that’s okay I love all criticism. You have to be able to accept positive and negative feedback from your fans. I wouldn’t be anywhere today without them.

“I’m always sitting on that creative edge.”

Would you say EDM has gone through a transformation where now you’re seeing a lot of subgenres borrowing from each other?
Yes, when I ask what people what type of music they listen to and they say EDM, I always ask what they mean by that. There is a wide range inside of it, and we have to be more particular than that. Is it Progressive, is it Trap, is it House, Is it Deep-House? You’re right it’s evolved into a massive genre and that’s how you get those crossovers. If you look at the top 40s, you’re seeing a lot of EDM artists making it in there and it’s great to be a part of it.

Is there a shoebox of unheard Danu5ik tracks hidden somewhere?
Yes, there is a thumbdrive of tracks that I started and which have never seen the light of the day. In the last album Day Light/Dark Night I was surprised by how many tracks I had started but that didn’t make it onto the album. I think just from that album itself I had enough tracks to make two more albums out of it. I’m always sitting on that creative edge. I get an idea for a track and start it and then put it on hold and then start something new and then I might come back to it.

Imagine was not one on the back-burner though, it was one I came up with on the go. I love tracks like that! The last track I came up with was at the airport and I almost missed my flight because I was so in tune with putting down this beat. Its sound was just so surreal.

We may actually hear some of those old tracks in 2018. I’m in the process of creating the new album which will be released in the next year. There will probably be a few remixes of old tracks as well. It’s looking really well for 2018.

What can fans expect from Danu5ik going forward here? Any hints?
For 2018, I want to start out with a big bang. We may be seeing an Imagine Remix which will hopefully spark some interest. It’s too early in the game to say for sure but Imagine is a good hint of what’s to come. There’s going to be a string of music videos coming out in 2018 but I can’t say more than that.

Keep an eye on our tweets to catch the rest of my interview with Danu5ik. And why not take his advice and, “Put yourself out there;” Daniel will be playing at youbloomDublin in May and is eager to meet fans and collaborators alike. Artists that Apply to Play will get free admission to the Festival and Summit.

Interview w/ HMMA winners, Flight of Fire

07-Jan-2018 By Robert Loustaunau

My Last Gamble – Winning track at Hollywood Music in Media Awards for Americana/Folk/Acoustic

Interview with Flight of Fire

“We all strongly believe that the transfer of energy between audience and musicians is an intensely powerful thing.” – Flight of Fire

Earlier this month, youbloom was lucky enough to get some precious air-time with the Hard-Rock maelstrom of female fury, Flight of Fire. Known for their fantastical live shows and superb rock compositions, this Boston-based band has been selling out shows and racking up awards for several years now. In this interview the ladies divulge their creative process, dole out advice for the unsigned artists out there, and share what’s on the band’s horizon.

What were a couple runner-up names for the band before you settled on Flight of Fire?

What a cool question! We came up with our band name in a very geeky way, so we actually did have two clear runner-ups. The first was Drop of Flame and the second was Force of Flame. Personally, I think we made the right choice!

What is your creative process when writing?

We usually write songs individually. When they are mostly finished, we bring them to the band and everyone adds their own flare. Maverick will get picky about lyrics and improve melodies and Tanya will add solos. The twins write riffs together, and Tia and Maddie solidify the groove.

How has the LA music scene been different from the Boston music scene?

We haven’t spent enough time in the LA scene just yet to really be able to compare it to Boston, though in the few times we have come out, we have absolutely loved our experiences. One of the things we did notice is that there seems to be a lot more competition in LA as so many talented people flock to the city, however, there is also a plethora of experienced industry professionals providing an endless source of networking opportunities as well as offering more chances for encountering career-growing experiences. So it all seems to balance out.

“We don’t like our performances to be contrived at all, and we love to ride the waves when unexpected things happen!”

Youbloom, for example, has been so welcoming and supportive of us – we had such a great experience at the conference and met so many incredible people in the industry! It’s definitely very different, and each scene offers different things to artists and bands. We can’t wait to explore more about what it’s like to be a band in LA.

Flight of Fire is known for its high energy performances. What do you think it is that gives a band its charisma?

22814125_1730948283642382_6614974178572752102_n — Photo by Trixie’s Tripod of Boston Rock Radio!

To us, it’s all about the live shows. We all strongly believe that the transfer of energy between audience and musicians is an intensely powerful thing. Live shows are our opportunity to show our fans how much we appreciate them, and it’s their opportunity to enjoy us in our element! It’s truly magical.

Would you say you have live shows down to a science, or is each one its own mystery going in?

We like to keep as much of our performances as spontaneous as possible driven by pure in-the-moment inspiration. We do plan our setlists, but we like to take the energy of the crowd into account and play off the emotions of the people watching us. Sometimes you have to diverge from the set list when the audience’s energy is calling for something specific.

We also like to include some memorable stage antics, like when we switch instruments and pull off wild stunts. But our philosophy is that what we do on stage should reflect how we are really feeling at the time. We don’t like our performances to be contrived at all. We love to ride the waves when unexpected things happen!

What’s the most memorable show you’ve ever played? Why?

Some of the most memorable shows we’ve played have been when we opened for big acts. When we opened for Bon Jovi at Ford Field, and that is an experience we will never forget. We also opened for Lita Ford at a smaller venue. It was a sold out show and her fans were so incredibly supportive of us making us feel like true rock stars that night. At those kind of shows, you hope that you’re seeing a glimpse of your future. Those are the moments that stick in our minds and inspire us to keep pushing on through any of the difficulties we might face.

21994099_1691014080969136_5938177342829633566_o — Flight of Fire performing at youbloomLA Music Festival & Summit 2017

What good memory or experience did you have at the youbloom 2017 music festival?

So much of it was amazing! We are still so grateful that we got to come out and be a part of youbloom. We met so many incredible people. All the panelists we got to talk to were so encouraging, and the discussions really helped us solidify some of our strategies for the upcoming year.

“My Last Gamble won, and we never would have had that opportunity if it hadn’t been for youbloom and Shele Sondheim!”

Can you describe the events at the youbloom festival that led you to getting a Hollywood Music in Media nomination?

Shele Sondheim was one of the acclaimed panelists that we met at the festival. Shele was so kind and supportive to us and he connected us with Brent Harvey, the producer of the HMMAs. The two of them encouraged us to submit our song. Apparently it was a fantastic idea considering we actually took home a trophy that night. My Last Gamble won, and we never would’ve had that opportunity if it hadn’t been for YouBloom and Shele Sondheim!

What project do you currently have in the works?

We just finished recording a new single in the studio that features Cherie Currie from the Runaways. Cherie and Maverick share lead vocals on our song, She’s a Badass. It’s a testament to all of the female rockers who came before us and paved the way for musicians like us. The song will be released in early 2018.

What is the band’s vision going forward?

We have so much that we want to accomplish. Our most recent album, Path of the Phoenix, was released a year ago, and we already have so much new material for the next album we are hoping to record by the end of the summer, if possible. We are also looking at a tour in Europe and new music videos. Our biggest goal right now is to get a supporting slot on a tour with a band like Halestorm. That would be a dream come true.

“One of the most important things we’ve learned is that when you have somebody who believes in you, never take that for granted.”

What are your biggest challenges in reaching your vision?

As always, the biggest challenge is financial! It’s very difficult to make money with what we do. We are always doing our best to be savvy and find ways to make it happen! We will be launching a Patreon in January. That will give our fans the opportunity for a more intimate relationship with the band where they can directly support the music they love. We’re very excited about cultivating it, and that kind of support will make everything we are trying to do that much more possible!

What’s the best way fans-to-be can gain access to your music?

Our official website is the best way to get access to our music, videos and updates! From flightoffire.com, you can link to all of our social media as well, so whatever platform you prefer for following bands, you can find us there.

What advice would you have for upcoming bands/artists that are trying to get noticed?

24852123_1785544431516100_5331657771273682913_n — FoF at the Hollywood Music in Media Awards Night 2017

One of the most important things we’ve learned is that when you have somebody who believes in you, never take that for granted. When you have a DJ play your music, an aspiring journalist who writes a review for you, a booker who hears you at a show and loves you, or any fan that tells you that your music has moved them or buys your merch, your job is to respond to them. Express your gratitude, let them know how much it means to you that they believe in what you are doing. If someone is going out of their way for you, make sure you go out of your way for them just as much. Especially in this ever-changing industry, we all have to stick together and support each other. It’s all about relationships – make sure you always pay it forward.

To stay up to date on what Flight of Fire is up to, you can check out their website, flightoffire.com and follow them on Twitter and Facebook. Their newest album, Path of the Phoenix, can be purchased on Bandcamp.

Robert Loustaunau is a content writer for youbloom and is a member of the social media team there. He is an avid music maker and listener. He enjoys the simple things in life: coffee, a good book, and quality time with his lovely girlfriend.

youbloom’s Top 10 of 2017

22-Dec-2017 By Josey Dunbar

In 2017, independent artists from across the globe came together in Dublin and Los Angeles for a weekend of master classes, collaboration, and performance. Youbloom artists have been hard at work pumping out fresh sounds all year long. To wrap up this 2017 we thought we’d share some of our favorites. Tune in everyday for a new featured artist.

10. Shivan

Music Box is one of three singles released by the solo artist Shivan in the last year and it was a tough choice picking which one to feature. In Music Box, Shivan meshes silky smooth vocal harmonies with sparse synth tones of bells and plucked strings culminating in an airy atmosphere. This spacious intro gives way to a head-bobbing interlude powered forward by Shivan’s hocketing voice put through a vocoder. Shivan’s sound in general is clean, at times funny (take a listen to Manta Ray), and never lacking in innovative catchiness. You can check out more of his music on Spotify and SoundCloud.

9. We Bless This Mess

In their new single, Ocean, We Bless This Mess brings their soulful, raw fervor to a new level as Nelson Graf Reis leaves off the bass and drums to create a more stripped-back level of intimacy. The track starts with the sound of waves, barely audible and gently lapping. The waves quickly give way to Graf Reis’ soulful solo voice waxing sweetly against the brittle strumming of his guitar. Occasionally his own voice is subtly layered by vocal harmonies while at other times, it all falls away completely and were are left alone with Graf Reis’ beautiful, wailing words reminding us: “Step by step, you breathe the same air as eye.” If you want to see the music video that accompanies Ocean you can find it here on youtube. And to see what else We Bless This Mess has cooked up, find them on Spotify or follow them on Twitter to see when they’re playing near you.

8. The Magnettes

Ugly Youth, the newest album by the Suisse duo The Magnettes, is full of catchy songs that quickly hook listeners. The captivating and distinct sound of the Magnettes is fun and similar to that of Madonna. Their June release can be found on sites such as Soundcloud, and iTunes. Killers in a Ghost Town, the leading song on the album incorporates a wide variety of instruments in coherence with a more modern techno style.

7. OSIYM

OSIYM has been making a lot of noise this 2017, dropping 3 new singles and with music videos to match. Youbloom is excited to name one of these singles, the party anthem FLEX, as #8 on our countdown of 2017 releases. With its infectious beat and slick bravado, FLEX is a hot addition to your party playlist. The rap duo Nova and Charlie Black have become synonymous with the boom bap and trap scene in their hometown of Toronto and thanks to their witty word-smithing and on-stage charisma, OSIYM’s music has spread the continent. While there’s a lot of exceptional talent spilling out of Toronto right now, OSIYM is in no danger of being drowned out. Take a listen on Spotify or Soundcloud, and see what we mean.

6. Royal Prospect

Royal Prospect started 2017 off strong with the March release of Hearts. Hearts beautifully displays the group’s lyrical ability as well as the amazing vocal capacity of lead singer Oscar Reingsdahl. The song begins with a slow taste of the chord progression that later speeds and evolves as the mood of the song changes. The overall lyrical message is both relatable as well as captivating to the listener. Hearts can be found on iTunes and Soundcloud and check out their music video on Youtube. The group followed up Hearts with the September release of I Feel Alright. Unlike Hearts, which is a very vocally heavy song, I Feel Alright places great emphasis on the instrumental abilities of Gustav Reingsdahl (Guitar), Hannes Tingfors (Bass) Oscar Reingsdahl (Guitar) and Hannes Pennsäter (Drums). See what you’re missing and check out Royal Prospect!

5. Hannah

In her new EP, Blossom, Hannah swishes together a cocktail of jazzy piano accompaniment, chill-step hip-hop beats, and her soulful voice to create a mesmerizing piece of poetry. Originally from Chicago, and now making noise in Los Angeles, Hannah’s sound is unique and colored by the iconic cities she’s lived in. Blossom, on the surface, is a mellow set of Rap and R&B charts to chill out to. Listen a little closer, and it’s a story of Hannah’s life, her experiences, and finding her identity in a world off-kilter. Take a listen to Blossom on SoundCloud or Bandcamp.

4. Ivy Nations

Ivy Nations has undoubtedly had a successful 2017 with the release of two new singles and accompanying music videos. In early April, the group released the soothing track Live By Design. The steady and notable rhythm of this single immediately pulls in the listener as it sets the tone for the song’s entirely. The music video, which can be found on Youtube, beautifully captures the mood of this unique and unforgettable song. Check it out on Soundcloud and iTunes. Following Live By Design, Ivy Nations released the single Sentimental Hearts. This song has a happy and upbeat tone portrayed by the swift major chord progressions and catchy lyrics. You can catch Sentimental Hearts on Soundcloud and iTunes. Also, don’t forget to check out the new music video on Youtube!

3. The Fontaines

Choosing to feature The Fontaines on our Top 10 was easy. Deciding what to feature was the hard part. With 5 singles and 2 EPs out this year, the LA-based band has been pumping out breezy indie-pop ballads and New-Wave rock charts like you wouldn’t believe. In the end, we settled on Evaporate. We know what you’re thinking! Choosing the single that garnered the group 100,000 streams on Spotify and hundreds of new fans isn’t exactly bold but if you go ahead and press play, you’ll see why we just can’t stop listening. Comprised of funky guitar riffs, retro synths, and eerily sweet vocals, Evaporate gives off an air of old-school cool that’s hard to come by. You can hear more of what The Fontaines have been cooking up on Bandcamp or SoundCloud but of course nothing beats a live show and you’re in luck, they’re playing at the Troubador in West Hollywood on January 11th.

2. Cider Wasps

Cider Wasps’ 2017 featured the release of their EP Ethereal. This album was a compilation of five tracks, some of which had been previously made into music videos in 2016 such as their hit Hummingbird. Thirty seconds into this song and you’ll be dancing along. Hummingbird displays Cider Wasps’ ability to simultaneously rock-out while maintaining steady control over their sound and producing quality music that’s as catchy as it is artful. The band’s unique style is also portrayed through the vocal layering in Magic Beans. Check out Magic Beans, Hummingbird and the rest of the EP as well as upcoming tour dates on Cider Wasps’ Website.

To anyone who loves early 2000s rock, your year is about to get a whole lot better: check out Cider Wasps on iTunes, and Soundcloud!

1. Faulkner

The bi-coastal band Faulkner is back with their sanguine new single, Hot Streak. In style with the bouncy alt-rock ballads and sleek production present in their previous EP, Revanchist, Hot Streak manages to hook and groove, while still delivering in substance. Between lead singer Lucas Asher’s visceral imagery sung in punchy verse, and the soaring synths that sound unmistakably of The Killers, Hot Streak has a flavor you won’t want to put down. It’s no surprise since the group collaborated with Wu-Tang Clan’s RZA and worked with producers like JP Bowersock (The Strokes) and Mark Needham (The Killers). Bash into the new year with this New Wave cut on Spotify and see why it was youbloom’s #1 in our Countdown to the New Year! Faulkner will be gracing the Peppermint Club in LA on February 8th, 2018.

Interview with Osairis Front-Man, Aundra Island

19-Dec-2017 By Robert Loustaunau

“I didn’t know at the time that you could be of a darker shade and have dreadlocks and play speed metal.”

Recently, youbloom was fortunate enough to nab a little airtime with the Progressive-Rap, Rock-Fusion trio Osairis. An eclectic description indeed but one that’s only fitting for a band who’s sound has been likened to that of Cream and Hendrix as well as Rage Against the Machine and Living Colour. Osairis’ drummer and front-runner, Aundra Island works in tandem with guitarist, Casey Loudon and Berklee Bassist Gaku Murata to commandeer the stage with punchy, political verses book-ended by sweeping, Hendrix-esque guitar solos. Today, I picked the brain of the man behind the beats, Aundra Island.

Robert: Osairis is a collaborative group right? You’ve had different members in and out throughout the years? When and How did Osairis in it’s current form come together?

Aundra: Well, how we got together was we had an offer to open up for Angela Moore from Fishbone. And the name of Angelo Moore’s (Lead singer of Fishbone) side-band is Dr. Madd Vibe so he said he’d make an offer where if I could get a band together I’d be able to open up for them. For years I had been associated with the Black Rock Coalition but it had been through the West Coast Division I knew Angle Moore and it was actually his hairstylist who put me in contact with him.

Robert: So Casey, Gaku, and yourself play this gig for Dr. Madd Vibes. At what point did it click for you guys and you realized that you could work together as a group for more than just this one gig?

Aundra: You know there were other guys that kept playing with the group too but as far as the 3 of us clicking, it just took 2 -3 gigs for us to mesh. It’s funny because we all come from a similar background. Gaku graduated from Berklee and Casey graduated from Musicians Institute and I had attended Cal Arts. I got to a point where I had played jazz all my life and I wanted to move away from that. Being in a rock ‘n’ roll context with jazz chops that’s pretty much what I wanted to do and we all came from that similar background.

Robert: What artists have influenced Osairis’ sound?

Aundra: Ultimately Hendrix was my inspiration. I looked to Hendrix as a demi-god. But we also had bands like Rage Against the Machine, Sound Barrier, 24-7 Spyz, Urban Dance Squad, Faith No More, and Van Halen. But ultimately Hendrix and Living Colour.

Robert: Did Living Colour help bridge that gap between Jazz and Rock for you?

Aundra: My first Rock ‘n’ Roll concert was Living Colour and ever since than I was pretty fascinated with Living Colour because I come from a jazz background and within my jazz background I studied Dave Brubeck, Ornette Coleman, and Count Basie. So I saw Living Colour at the Key club in LA and I was probably only 14 at the time. I didn’t know at the time that you could be of a darker shade and have dreadlocks and play speed metal.

Robert: Yeah, that’s definitely a niche-market huh?

Aundra: Yes. Very

Robert: I noticed with your live performances it stays with the rock vibe but then you guys have these improvised solos for 16 bars and I think that’s where I heard the jazz influence come through.

Aundra: Yes because we like to utilize being a power trio. You know a lot of guys now a days use that term but when I think of actual power trios – Rush, Cream, Primus – We’re like them, we’re gonna make sure all of our chops come out and make sure we can bounce off each other with ideas whether it’s in the studio or live.

Robert : Osairis’ sound has been labeled as Progressive Rap before. How would you define Osairis’ sound?

Aundra: You know it’s funny, The guitar player, Casey Loudon, his dad came to one of our concerts one time, it was at this festival called Punk Black out of Atlanta, they do kinda this black rock thing. It’s funny cause he said we sounded like progressive rap and I don’t really look at us as that. I look at us as more fusion; a mix of Jazz, rock, and hip-hop.

Robert: Do you write all the lyrics for Osairis’ original tracks?

Aundra: Yes and lot of people will actually confuse our originals with covers because I always try to make sure that when we write original material it doesn’t just appeal to us in the band, it appeals to everybody.

Robert: And what could you tell us about your album, Electric Purgatory?

Aundra: It’s funny because some people have said I’ve gotten the idea from the Black Rock Coalition’s film but it was actually based off of a nightmare I had of being in the music business for a while. I saw all these angels and it wasn’t like an acid trip but that’s where the title came from. So the album is pretty much a few originals and covers. I call Electric Purgatory my Chinese Democracy because I just stayed in the studio and kept recording, recording, recording and I knew at some point I was just gonna have to finish it. That album probably took me about 3 years to make.

Robert: Wow! That’s a long time for one album!

Aundra: See it’s funny how nowadays you can make an album in 15 minutes but you see for me it’s all about making the album of quality.

Robert: And what about your other albums?

Aundra: The second album, Road Warrior, is all originals except for one but we do sample from bands like the Who and Jay Z. The Third album is a live recording of the night we opened for Angelo Moore of Fishbone.

Robert: What’s the best show you’ve ever played? Why?

Aundra: We opened up for Winger at the Whiskey-a-Go-Go. That place is like our second home. Not only are those guys solid but they believe in independent artists. Chain reaction too, back when we were just starting up we contacted them and they were kind enough to get us going.

Robert: And what is it do you believe that these types of venues do to help independent artists?

Aundra: Well you both get to piggy back off of each other. The venue let’s you come in and play and you’re able to promote yourself at the venue you’re playing. We’ve also had a lot of help from other bands like Awukii, they’re kinda like the Bad Brains out here. We’ve had help from this band out of Atlanta called the Tulips with this guitar player named Gabby Logan. The Howling Stars out of Atlanta and from Sound Barrier who we opened up for. We’re all able to bounce off of each other.

Robert: It’s good to just to be able to have that network to rely on.

Aundra: Yes.

It’s kind of like if Hendrix played rap metal…

Robert: Has Osairis been on tour before?

Aundra: We stay in LA for the most part. The hard part is seeing if you can find a huge profit on that. We wanted to play in Ireland with youbloom and then they asked us to play LA instead but that would have been fun.

Robert: Hey we’re gearing up for the youbloomDublin festival in May again and we’re wanting to get more of our LA sound over their this year. Youbloom is trying to do just what you were talking about where we connect bands and strengthen that network. For bands coming to a new city it can make a world of difference just knowing some of the local talent, and not feeling like complete strangers when coming into the city.

Aundra: Hey we’d love to be able to fly over their and play in Dublin.

Robert: Does Osairis currently have something in the works? A new album or some sort of project?

Aundra: Yes, We’re in the phase of producing the album MEDIA: Multi-Ethnic Destruction In America. This album is going to be dark and heavy. It’s going to be a combination of commercial, political, and lyrical content. Like the first 2 albums combined but it’s gonna have a really cool and interesting appeal to it.

Robert: And what inspired this album for you?

Aundra: To be honest there’s not enough content out. It seems like every time I listen to the radio these days, everything on there is just bubble-gum and it’s like there’s a real world out there. You know, don’t just force feed the audience what you want them to hear. Sometimes there isn’t any light at the end of the tunnel and you just have to deal with it, not everything is just peachy keen.

What MEDIA was inspired by was Public Enemy. I didn’t want to go the route I had gone with the other two albums. The other stuff is rock but this is a more heavy rock. It’s kind of like if Hendrix played rap metal but it’s not gonna be so experimental, a lot more straight and in your face.

Robert: Can we expect a little bit more collaboration on this album?

Aundra: Ya we’re having different artists come in. From Sound Barrier we’ve got Spacey T, Ronny Drayton from 24-7 Spyz, Robert Brown of White Chapel, and Daniel Lape as one of our guitarists. Just playing around with it. I’m trying to see what the heaviest sound is I can run with and blue print it.

Robert: And what’s that process look like as you bring different musicians in to the studio?

Aundra: They’ll just come in and I’ll show them this idea I have or show them what I want or what I’ve already recorded. I always say this band is kind of like Deep Purple where we’ve had just about everyone in this band.

This is why I want MEDIA to be perfect from start to finish but I’ve only been working on it for a minute. Each album that I do I try to treat it like it’s my first album. Then I make sure that there is always gonna be some sort of change. One thing I’ve learned from Miles Davis is that you can keep the same style as long as you adapt to whats going on around you. That and keep a brighter way of thinking and you’ll be okay. If you listen to Davis from 1955 – 69, from Kind of Blue to Witches Brew, it’s all the same thing, he just stretched out the arrangements but he always stuck to the same style, the same thing.

Robert: So MEDIA is in the works and it sounds like it’s coming along nicely. Don’t let the rest of us rush you along, it sounds like a really cool work in progress. I know the fans and I will be excited and waiting for that release date.

What advice would you have for other independent artists who are trying to make it in the industry?

You can keep the same style as long as you adapt to whats going on around you.

Aundra: My obvious advice would be learn various styles of music. Study the greats who have come before you and after you. Learn to read charts. Have a good attitude but also be able to stand your ground because things aren’t always gonna be smooth as butter. Don’t let anyone doubt you because some people have doubted me but it’s those challenges that have made me who I am today.

To hear more from Aundra and Osairis check them out on SoundCloud or Youtube. Friend them on Facebook or follow them on Twitter to stay up to date on that album release: MEDIA. The band plays in Los Angeles regularly so when you’re in town be sure to check them out!