7 Inescapable Things You’ll Find at Every Typical Music Festival

10-Feb-2016 By Tieece Gordon

Heading to a music festival this year? Be prepared to encounter some weird, wacky and wonderful spectacles. Certain trends seem to pop up year after year – by now, music festivals wouldn’t feel complete without them. While many could be seen as examples of how strange we’ve all become, not all are crazy premeditated stunts. Some things are just inescapable.

Shoulder Rides

It seems as though sitting on somebody’s shoulders is an essential part of the festival experience. This may have been promoted by TV coverage that seems to make ‘human chairs’ festival icons.

Good Points: More chances to get your face on TV; better view of the acts onstage.

Bad Points: A nightmare for those behind you.

Warm Drinks

Not talking about tea or mulled cider here! The warm weather seems to play havoc with refreshments. Drink cups emblazoned with “best served chilled” have no hope once festival season rocks up.

Good Points: It’s still a drink.

Bad Points: It tastes like an evil genius has set a plan in motion.

Tents

If you were surveyed for a family TV quiz show and asked to name ‘Things You’d Find at a Festival’, chances are tents would be pretty high up in the responses. If you haven’t been to a festival before, you won’t believe your eyes when you see the sheer amount of canvas sleepers that appear before you. Be ready to sleep virtually head to head with the guy next door.

Good Points: You need a tent to sleep (or not) and store your possessions; being so close to others makes socialising and meeting new people a doddle.

Bad Points: Claustrophobia Central; sleeping next to a canvas covered toe is still sleeping next to a toe.

Merchandise

T-shirts, vests, hats, bags; anything you can think of is being sold (and bought) onsite. Some people kit themselves out with one of everything while others look on in disgust.

Good Points: An everlasting reminder of a great festival; could come in handy if your clothes fall victim to the elements.

Bad Points: May end up looking like a walking advertisement; probably not going to touch this stuff ever again once you get home.

Fashion Statements

You name it, it’s probably been a fad at some stage. Face paints, fedoras, headbands and even hairstyles have come and gone down the years. Even religious items, such as rosary beads and bindis have become mainstream – often to mixed reception.

Good Points: It’s fun to dress up – even if it means following a crowd; adds to the feel of everybody having fun.

Bad Points: Looking at those photos a few years down the line and wondering why anybody would ever want to wear hair beads.

Wristbands

Wristbands are an essential piece of a festival-goer’s kit. They’re essential to the whole party and some even create custom wristbands to spice things up.

Good Points: Eternal memorabilia; custom wristbands add a sense of personality; seem to last forever even when untreated.

Bad Points: If left too long can become a hive of bacterial activity; some people like to show off their wristbands six months after the fact.

Queues

Whether it’s for an overpriced burger or a race to get to the front of the stage, chances are you’re going to have to wait – either that or unceremoniously barge your way through (not recommended).

Good Points: Gets you excited about what’s coming up; a bit of quality time with friends while nothing is happening.

Bad Points: Who likes waiting?

THE PLUNGE: youbloom | HEADROOM #13 with Featured Artists from the youbloomLA 2015 Music Festival

09-Dec-2015 By Shannon Duvall

Take the plunge: Learn that instrument. Take the plunge: Head for the city. Take the plunge: Form a band. Record your songs. Go on tour.

All first steps are leaps into a vast, deep unknown.

From the moment you hold out your hand to introduce yourself to someone new…to the first note you utter onstage at your first show…to the time you decide that there’s no turning back and take that turnoff in hot pursuit of the career of your dreams.

The last installment of HEADROOM LA 2015 is dedicated to those ballsy times; the ones where anxiety and uncertainty have you backed up against the edge of passing out or puking, but you steel yourself, clear your thoughts, and go hell-for-leather anyway.

Because deep down you know there’s no other way. Despite the mistakes, the screw ups, the impulsive decisions: you took the plunge, now you own it.

The coolest part about all this? You make friends.

A little psychological phenomenon known as The Pratfall Effect sees to this; simply put, people like you more when you’re willing to show you’re not perfect. And as you know, there’s no better place to show the world how not perfect you are than in your very first band.

So we asked four of the artists playing this weekend’s youbloomLA2015 Music Festival, in Pasadena, to let us in on the awkward details of the first bands they were ever in. We’ve even made a special playlist just for the occasion.

Take the plunge: press play, read on, and make some new friends.

Danielle (lead vox, Aigua), THE PLUNGE: “I tried to form a band in 8th grade, but it didn’t last very long. I can remember sitting in my living room, everyone barely knowing how to play their instrument, and me discussing that my best friend was going to manage us…it’s all pretty funny looking back. I forget what our name was but I think it had something to do with bow-ties.”

A Turkish-Brazilian duo with a new twist on latin sounds firmly in their cross hairs, Aigua deliver sweet, sparse melodies in their signature laid-back way. Expect a set that will refresh your ears after a long day of gig-hopping. Beautiful work. For fans of: Sufjan Stevens, Maia, Rodrigo y Gabriela

Julián (lead vox/guitar, RendeR), THE PLUNGE: “My first band was called Sick Town Bastards. I was 11 or 12. We played cover songs from Faith No More, Papa Roach, System of a Down, Pearl Jam and others. The first time we played was in a talent contest at school. We were the best band, even though we were the babies. The music teacher took me (under his wing) from then on. I’m very grateful, because that small band made me take big steps: playing with older schoolmates in Aghast, recording my first songs in the studio, playing music venues in Valparaiso (a Chilean port town; beautiful but dangerous) with fake IDs, using being in a band as a chick magnet technique, or getting into trouble.”

All the way from Chile, with commercial sensibility coming out of their eyeballs, RendeR are polished, tight, and they know their genre like nobody’s business. Headbangers welcome. For fans of: Frequency 54, Underwhelmed, Staind

Carolina Plaza (composer/vox, Carito Plaza), THE PLUNGE: “My first band was call FunkReal. It was a Chilean G-Funk band, and actually, we were pretty good! I’m talking about the year 2000; we got some of our videos on MTV, and we played in big festivals such as Rock Al Parque (the biggest festival in Colombia). Good times, good memories.”

Jazzy and sensual R&B is given the latin treatment in the hands of the very talented Carolina (“carito” means little Carolina) Plaza. A capable collaborator, but strong enough to stand alone, the music is danceable, infectious, and smooth. For fans of: Aaliyah, India.Arie, a one woman TLC

Cooper, (bass & vox, Ultra Violent Rays), THE PLUNGE: “My first band was a punk three-piece called Bang Sugar Bang. We sucked when we started. I remember I was a ball of nerves before our first show because I really couldn’t play bass and I could barely sing. My bandmate was much more experienced than me. He could tell I was freaking out. He took me aside and said, “It doesn’t matter if you can’t play or sing. Rock ‘n’ roll is 99% attitude.” I got through that show on attitude alone. By the end of our seven years together we were a great band.”

Is this the noirest electro you can find? The Ultra Violent Rays aren’t exactly violent, but they do craft a masterful, cold sultry sound that promises something hot-blooded despite evoking a kind of endless chill. Lovingly produced, carefully communicated electro-class for the space rogue in all of us. For fans of: Joy Division, Gary Numan, Patti Smith

Artists featured will be performing this weekend THU-FRI-SAT 10.11.12 at the youbloomLA 2015 Music Festival, in northeast Los Angeles. There are three different venues, fresh giveaways, a photo contest, and more. Check out the lineup and come on down tomorrow to meet your new friends.

MY FIRST TIME: youbloom | HEADROOM #12 with Featured Artists from the youbloomLA 2015 Music Festival

08-Dec-2015 By Shannon Duvall

The last installment of HEADROOM for the youbloomLA 2015 Music Festival goes live tomorrow. The very next day, we clean the rust off our dancing shoes (and dance moves) and make tracks for northeast Los Angeles, where three of Pasadena’s finest bars will host over fifty of the choicest independent bands and solo artists in the world.

They’re coming from Chile. Ireland. Haiti. Hell, there’s even a Canuck in the mix, along with homegrown sounds from states far and wide.

Here at youbloomHQ, it’s regrettable to see the end of what has turned out to be a lively, illuminating outing on a kind of heavy metal hay wagon with bockety wheels and a passed out driver. HEADROOM is a unique space where artists who will be sharing stages also get to share stories about the one thing bringing you all together: sweet, sweet tacos.

Wait, what?

It’s not tacos??

Well, what on earth could possibly…can somebody get our source on the line?

I swear, one of these days…OH. Right. Riiight. It’s music. I knew that, think I was just hungry. Can somebody get a taco delivery on the line?

On the reals, though, it’s been dope. Much obliged to all the artists who participated in this digital confession box. (I mean, if you hadn’t, we’d have bugged your phones and gossiped about you anyway, but high five! You saved us an absolute fortune and raised eyebrows from the guy at the electronics store. So it’s win-win!)

This batch of performers have some pretty insightful things to say about the first time music made an impression on their tiny spongey minds – including one guy getting smothered in the name of soul (hint: it’s about boobies). Way to take one for the team, brother.

We’ll leave you to your reading, friends, and thank you once again for making HEADROOM LA ’15 the most fun yet.

Don’t forget to stop by tomorrow for the final goss, give us the thumb of approval on our Facebook, Twitter, Instagram, and/or Soundcloud, and, of course, get on down to the fest. It starts Thursday. Don’t miss it or you’ll be eating your sweet sweet tacos alone. Take it from someone who knows.

Kevin Proctor (songwriter/keys/guitar, Direct Divide), MY FIRST TIME: “I grew up in a sports dominated family that loved football. Every Sunday, football would be on and when the afternoon games were over, my family would blast some classic rock and alt rock as we wound down the day. Although I didn’t begin playing an instrument until after high school, hard rock and alternative 90s rock were always a part of me.”

Razz: (songwriter/vox/violin, Direct Divide), MY FIRST TIME: “My parents sang to my brother and I every night from the time we were born until we were teenagers! My dad still laughs at the fact that “Maxwell’s Silver Hammer” by the Beatles was one of my favorite songs.”

It’s a curious thing, the electric violin. At once impossible to ignore and signature (what would The Who’s “Baba O’Reilly” be without it?), it’s a rarity in rock and pop music; it’s full range of sounds as yet uncharted in the more well-known genres. Putting it front and center are what Direct Divide do, which is both brave and intriguing, their unique sound complemented by tight rhythms, searing vocals, and intelligently placed guitar melodies. For fans of: Lourds, Grace Potter & the Nocturnals, Andrew Bird’s darker stuff

Julian Schonscheck (guitar/keys, DENMANTAU), MY FIRST TIME: “I remember (doing) a tennis exchange with families in France. My family and I lived with a French family for a week. In the evenings when we finished playing tennis a few of our hosts took out their acoustic guitars and played wonderful cover songs; I was very fascinated by it. It was the first time I experienced live music and it was like magic for me. I immediately knew that I wanted to play guitar too, but my hands were still way too small at just six years old or so. It took me around three more years to really start playing the guitar and I’ve never stopped.”

They arrived in Los Angeles on a mission: to be the biggest band in the world. German born and bred, they’ve honed their chops and are stopping at nothing to share their tight, bohemian, insanely danceable music with every pair of ears from here to the moon. Set to be a highlight show at youbloom LA, you really need to see these guys. For fans of: the good Pearl Jam stuff, Jack Penate, Paolo Nutini

Anwar (guitar, Feli and the LemonShakers) MY FIRST TIME: “I remember going on fishing trips with my dad when I was about four or five years old. He would always be playing some Jimi Hendrix and old school R&B. It wasn’t until around 14 that I actually began playing guitar. After seeing one of my friends’ cousins play, I was hooked.”

They sound like sunshine and cocktails, and have no shortage of musical chops, with caressing vocals, dreamy pop guitar melodies, and infectious, hip shaking rhythms. Even the empty spaces have style. One to watch. For fans of: Goodbye Chanel, Bombay Bicycle Club, Blondie

Robert Blue Moon (poet/emcee/other vox, Crvscxnt Moon), MY FIRST TIME: “When I was young I heard The Fugees “Ready or Not”. (It) made a huge impression on me; by far it’s the song that drove me towards music the most. It had such a groove to it; I couldn’t help but try and learn the words so I could sing and rap along with it. A few years later two songs hit it out of the park for me: Jay-Z’s “Hard Knock Life (Ghetto Anthem)” and Nas’ “I Can”. These two hip-hop artists showed the world that they were here to stay.”

Whip smart and acerbic, yet feel-good and uplifting, this is a group with cunning musical abilities and a tangible desire to venture beyond the well-tread environs of intellectual hip-hop. Crvscxnt Moon blend soul and gospel into a refreshing helping of music with something to discuss. For fans of: J. Cole, Blackalicious, Mr. Lif

BJ Smith (singer, composer, soul man), MY FIRST TIME: “When I was about four years old I went to a private school. I had a preschool teacher who used to play the piano and sing to us. She was a red-haired, well-built woman (I wasn’t aware of that kind of thing at the time, but I do recall every time she would hug me after I sang while she was seated at the piano, her large breasts darn near smothered me!) She used take me to convalescent hospitals, churches and other functions to sing. I remember (the) first big song she taught me: “He’s Got the Whole World in His Hands”. I remember how happy these elderly people were to be entertained by a cute little boy with a voice and a big smile.”

Cool, clever, and impassioned, the masterly BJ Smith has the kind of industry chops you hear whispered about across the bartop when he walks into the room. He produces. He sings and plays. He writes songs. He tours with top brass; picks his own band members; slides an R&B song your way like passing a love note. He’s impeccable. Don’t miss him. For fans of: Luther Vandross, Freddie Jackson, your own heartbeat

MY FIRST TIME: youbloom | HEADROOM #11 with Featured Artists from the youbloomLA 2015 Music Festival

07-Dec-2015 By Shannon Duvall

“These are the songs…
these are my heart songs
they never feel wrong

and when I wake for goodness sake…
these are the songs I keep singing.”

– Heart Songs by Weezer

Milan Carl (drums, DENMANTAU), MY FIRST TIME: “I had my first experience with music when I was able to think. I listened to a lot of music with my parents and a guy who lived in the neighborhood. My older sister started with the piano and my little sister and I followed. I was six and couldn’t resist. Just one year earlier I had joined my sister’s piano teacher’s classical choir in a church. At 10 I got my first drum kit and lessons. After that I stopped playing piano and became obsessed with drums and rhythm. I loved drums but I was missing melody so I bought myself a saxophone at 23.”

Maddie (vocals, Polaris Rose), MY FIRST TIME: “(My) first memory of music is sitting in the backseat while my dad drove across Japan. He passionately introduced me to Meatloaf’s Bat out of Hell II. Soon (we) were singing the duets together. (Peter: “She still has bad taste in music to this day.”)”

Instantly friendly and infectious, with precise vocal harmonies, and an uncanny understanding of what makes a hook do its best work. (Seriously, how did you write those??) At times epic, other times unexpected, the group have alt-pop sensibility coming out of their ears, and they gel so well it’s hard to imagine they’ve only been on the scene two years. For fans of: 90’s stuff, Elvis Costello, The Black Keys

Rob Nakai (guitar/kick drum/vox, Quietly Kept), MY FIRST TIME: “The first real time I remember music moving me and getting me excited was listening to Richie Valens and Chuck Berry. Rock ‘n’ roll! I was probably seven or eight and a cardboard tube was my guitar as I jumped around playing along to the soundtrack of 1950s youth movement. It was about six years before I felt that feeling again when I got into punk rock.”

Calah Mae (vox/tambourine, Quietly Kept), MY FIRST TIME: “I actually grew up on a small farm in Wisconsin listening to only country!! Crazy, I know, but I used to be in the barn, mucking stalls and I would just be singing my heart out. My dad used to take me to karaoke nights at bars so that I could sing; I guess maybe I always knew that music would find me…some way.”

It must be that independent New Mexican streak running through the music like an unidentifiable fascination that keeps you hooked. Managing somehow to blend punk stylings with introspective acoustic americana and the clear, sweet vocals of pop, the duo behind Quietly Kept aren’t about to be put into a box and labeled; instead, they’re turning heads and winning fans everywhere they go. We can’t wait to have them in LA. For fans of: Blackbird Raum, Brook Pridemore, Lynched

Matthew Irwin (rhythm guitar/lead vox, Foreign Affairs NI), MY FIRST TIME: “I’ve always grown up with music. It’s hard to pinpoint an exact moment where I thought, ‘this is the most amazing thing’. My mum and dad always listened to music and I partook in that, too, but the big turning point was when I came home from a scuba diving lesson and Green Day American Idiot was there waiting for me. It changed my life; it’s the first album that made me want to be a musician. I got my first guitar that Christmas and it all went from there!”

An ardent, sincere take on a well-loved genre. Sounds are clean and tight. There’s energy and storytelling in spades. Foreign Affairs NI show up with their hearts on their sleeves, ready to sleep on your kitchen floor if you’ll let them play a gig. This is how the best pop punk should be. For fans of: The Ataris, You Know The Drill, The Get Up Kids

The second annual youbloomLA Music Festival & Conference is happening this weekend in northeast Los Angeles THU-FRI-SAT 10.11.12. We’ve got over 50 independent acts and a host of top drawer industry insight. Shall we make it a date?

#youbloomLA2015

BEFORE I DIE: youbloom | HEADROOM # 10 with Featured Artists from the youbloomLA Music Festival

30-Nov-2015 By Shannon Duvall

“Before I die, I need to make sure I properly load the dishwasher, choose a stable career in something like insurance, and be in bed by 10pm every night.” SAID NO MUSICIAN EVER.

Goals like these, while perhaps completely acceptable for Arnold Accountant over there, lack a certain…je ne sais rah! for the discerning musician. I mean, sure, you’ve got aims. They’re just less…traditional. Writing hit songs and playing Wembley? Now you’re talking.

Whatever instrument you play – whatever your genre as an artist – you’ve invested a lot of time and energy already to get where you are. So the things that make your list are real-deal, life-is-short kinda things. Unless you’re writing the blues, there’s no time for regrets, and only one way to go, which is, of course, up.

Jim Priest (singer/songwriter):

1| Perform my musical adaptation of the Upanishads on a mellotron. (I haven’t read the Upanishads and I can’t play the mellotron, but this is about “before I die” so I think I still have time.

2| Make the bartender at The Viper Room cry with my music. Any bartender at the Viper Room. If I can wrench a tear from one of those heartless bastards, I’ll know I’m an artist of the highest calibre.

3| Busk on the streets of Hollywood. Oh wait, I’ve done that. Nothing says “musical integrity” like getting chased across Sunset Blvd. by a rent-a-cop. Before I die I’d like to busk somewhere less repressive – like Riyadh, maybe…

Hypnotic acoustic guitar meets wrong side of the tracks storytelling, leading us down a dark alley of spoken-word intrigue; it’s tangible, like a newspaper headline – we wonder where it all went wrong. Jagged harmonicas tear in, reminding us that we’re only listeners, but we’re involved, guilty by association. Jim Priest is not to be missed. For fans of: Tom Waits, Loudoun Wainwright III, Sage Francis

BJ Smith (singer, composer, soul man):

1| Motivate, encourage, and unite people across the world, on some level, through my music. You can be at a festival, a concert, a club, or just riding in your car, and whether you’re familiar with the material or not, masses of people will come together and unite, party, or groove to music. Music has been used throughout the history of mankind to bring us together. Whether it’s been to signal ancient tribes for war, a feast, or a celebration, music is a universal language second only to love! Our heart produces a musical beat as we live and breath; it’s within all of us.

2| I want people to reflect and give love a chance through our worldly camaraderie within music.

3| Hopefully I can become an “influencer” to future generations and gain acknowledgement and respect from my musical peers. Being able to inspire people to want to sing, make music, or at least respect and love each other a little more, can hopefully touch the mind, body, heart, and soul of others with my voice, my lyrics, and my message. To inspire something positive, or help someone get through a moment, or remember a unique moment creates infinite emotional connections. Any other rewards bestowed upon me and additional financial security are just extra blessings!

Victoria Scott (lead vox, The Blue Dolphins):

1| I want to play Glastonbury with The Blue Dolphins.

2| I also want to play some mega venues around the world, including Mexico City.

3| I’d like to be a part of a history or humanity-changing concert, like Live Aid in the 80’s. I would like to write a sweet and sensitive song that connects with a lot of people all around the world.

The once acoustic-driven sound of The Blue Dolphins has evolved, blending clear, pretty vocals with south-of-the-border, surfy sentiments, and something altogether harder to pigeonhole. Unabashedly succinct, feel-good tunes from a duo who, from the sounds of it, are just getting started seeing what they can do. For fans of: The Sleepovers, Yeah Yeah Yeahs, a sweeter, less fuzzy Mika Miko

Anthony Greene aka. Prada Gino (fresh rhymes):

1| I have always told myself that before I can even begin to look at success, I need at least three Grammys.

2| I need to have at least five platinum singles as well.

3| Major sponsorship from a leading company (like Nike, Adidas or Prada)

4| Perform at a major awards show and also host one as well!

5| Breakthrough artist of the year at least twice.

6| Be inducted into the Hip-Hop Hall of Fame!

Yes, I have lots of career goals, but they are all possible.

Sincere prose is woven through thoughtfully chosen samples and surprisingly sultry and classy beats. Belongs on a list of the top intellectual rappers in the game. Hometown Chicago oughtta be proud. For fans of: Kid Cudi, Illogic, Eyedea & Abilities

Matthew Irwin (rhythm guitar/lead vox, Foreign Affairs NI): My biggest musical goals are quite simple! I want to do this forever! I don’t care on how large of a scale! I want to wake up in the morning and the only thing I have to worry about is music. I won’t be happy until I’m at a place in my life where I can make enough to survive off (of) music alone!

That said, some nice things I’d like to happen:

1| I’d love to support an amazing band on a tour.

2| I’d like to play even more amazing festivals like SXSW and Reading and Leeds.

3| Finally, I’d like to record an album with a musical inspiration of mine, like Billie Joe Armstrong or Justin Pierre.
An ardent, sincere take on a well-loved genre. Sounds are clean and tight. There’s energy and storytelling in spades. Foreign Affairs NI show up with their hearts on their sleeves, ready to sleep on your kitchen floor if you’ll let them play a gig. This is how the best pop punk should be. For fans of: The Ataris, You Know The Drill, The Get Up Kids

Featured Artists from the youbloomLA 2015 Music Festival, hitting Northeast Los Angeles this Dec 10.11.12. Click the link for full lineup and ticket info.

7 Inescapable Things You’ll Find at Every Typical Music Festival

THE PLUNGE: youbloom | HEADROOM #13 with Featured Artists from the youbloomLA 2015 Music Festival

MY FIRST TIME: youbloom | HEADROOM #12 with Featured Artists from the youbloomLA 2015 Music Festival

MY FIRST TIME: youbloom | HEADROOM #11 with Featured Artists from the youbloomLA 2015 Music Festival

BEFORE I DIE: youbloom | HEADROOM # 10 with Featured Artists from the youbloomLA Music Festival

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