BEFORE I DIE: youbloom | HEADROOM #6: with Featured Artists from the Los Angeles 2015 Music Festival

16-Nov-2015 By Shannon Duvall

So you’ve gotten this unweildy aircraft of a music career off the ground, and you’re – stably enough – coasting on the thermal currents. You’ve dealt with turbulence, and maybe even a storm or two. Respect.

It take serious cojones to launch yourself into the puzzling, seductive atmosphere of rock ‘n’ roll. But the point is you’re here. Each time you step on stage, upload a new track, or even just show up to practice…you’re flying, man.

But have you ever stopped to ask yourself where to? Who’s in the cockpit of this thing, anyway? You went to all this trouble to get aloft, so pencil your destination into the logbook there and set your course.

Cooper (bass & vox, Ultra Violent Rays): Before I die I need to:

1| Tour Europe.

2| Record with Brian Eno and Chris Coady.

3| Hang out with David Bowie.

Mirror, mirror, on the wall: who’s the noirest of them all? The Ultra Violent Rays aren’t exactly violent, but they do craft a masterful, cold sultry sound that promises something hot-blooded despite being surrounded by a kind of endless chill. Lovingly produced, carefully communicated electro-class for the space rogue in all of us. For fans of: Joy Division, Gary Numan, Patti Smith

Kevin Proctor (songwriter/keys/guitar, Direct Divide):

1| Play a HUGE European music festival with my own music.

2| Learn as many different instruments as I can. It really is the best way to appreciate the people around you.

3| Release an EP or album every year of my own music for 20+ years.

Razz: (songwriter/vox/violin, Direct Divide): “I only have one musical goal: to make people recognize that electric violins belong in rock music.”

It’s a curious thing, the electric violin. At once impossible to ignore and signature (what would The Who’s “Baba O’Reilly” be without it?), it’s a rarity in rock and pop music; its full range of sounds as yet uncharted in the more well-known genres. Putting it front and center are what Direct Divide do, which is both brave and intriguing, their unique sound complemented by tight rhythms, searing vocals, and intelligently placed guitar melodies. For fans of: Lourds, Grace Potter & the Nocturnals, Andrew Bird’s darker stuff

Stefan Pomplun (bass, DENMANTAU):

1| I definitely want to explore more musical genres with and without the band. A different formation like a big band or a solo project are things I want to be part of one day. I would love to be able to play genres like jazz, electro, or even classical music!

2| I would love to be part of forming a festival. It’s a thing friends of ours have talked about for years and it would be great if our musical contacts could make it possible to form our very own festival!

3| My band set the goal to be the first band on the moon. (The Cardigans don’t seem ambitious enough to pull through on that one, so we’re taking over!)

They arrived in Los Angeles on a mission: to be the biggest band in the world. German born and bred, they’ve honed their chops and are stopping at nothing to share their tightly-woven, bohemian, insanely danceable music with every pair of ears from here to the moon. Set to be a highlight show at youbloom LA, you really need to see these guys. For fans of: the good Pearl Jam stuff, Jack Penate, Paolo Nutini

Robert Blue Moon(poet/emcee/other vox, Crvscxnt Moon): This is a tough question, but I think from now on until I carry out these goals they will always be at the top of my list.

1| Some of my biggest musical goals would have to start off with becoming a master in all things music; I will not leave this world happy if I am unable to master the piano, guitar, saxophone, as well as producing, singing, writing – the whole nine yards. I want to reach such a high level of skill that I will be remembered when it is all said and done as the one who did it all. I feel that if I set the bar pretty high with my first one, I will do my best to follow up.

2| A close second would be to use my musical platform to attack the “norms” of this world. We have been lead to believe it is okay for so many things that frankly shouldn’t be at all, such as a mother (living) on the street with her children; families where the father or mother have to starve themselves so their children are able to eat…I want to use my musical platform to fix things to show people the dark side of the world and be the person who begins a movement for real change. So much music out there these days may uplift people, but if the artists themselves do not get in on the ground floor with the people who they are uplifting, then how can we as musicians expect to make true change?

3| This leads me into my next goal: music is about feelings and I want the people who listen to my music to feel as if they belong somewhere. We all want to feel loved and know that we matter, but above all, I believe people primarily want someone who understands them. If I can do that, well, by the end of my career I will be the happiest man alive.

Whip smart and acerbic, yet feel-good and uplifting, this is a group with cunning musical abilities and a tangible desire to venture beyond the well-tread environs of intellectual hip-hop. Crvscxnt Moon blend soul and gospel into a refreshing helping of music with something to discuss. For fans of: J. Cole, Blackalicious, Mr. Lif

MY FIRST TIME: youbloom | HEADROOM #4: with Featured Artists from the Los Angeles 2015 Music Festival

06-Nov-2015 By Shannon Duvall

It’s all about your first time.

No, not that time, jeez, what kind of freak show do you think we’re running here?

Over the past year our humble blog has been privy to what can only be truly described as the most fascinating backstories when it comes to what makes you independent artists we’re so proud to showcase do what you, well, do. We all know something had to kick start your little rock’n’roll hearts – usually at a very young age – and the stories we’ve been hearing run the gamut from a wonky household appliance providing a chore-time rhythm to the first time you ever saw a live show (because, obviously, some of you have exceptionally cool parents).

The best part about first times? You remember every detail.

Shira Yevin (one woman hurricane, Shiragirl): “My first ever concert when I was a little girl was Debbie Gibson. She came up from the ground on a grand piano singing and dancing to Electric Youth, and the whole arena stood up and went wild. Right then I thought, THAT! I want to do THAT! I wanted to have that power to affect people and bring them happiness and excitement.”

Not one to mess with, Shiragirl’s been doing her own electropunk thing and making no apologies whatsoever about it for over a decade. Striking out on her own from an all-girl band to make music at once gritty and groovy, she’s all of the party and none of the prissy. Bring your best dance partner and get ready to rock. For fans of: Candy Hearts, a less trite Ke$ha, Natalia Kills

Brian Kirk (drums, Round 12): “Everyone in my family plays an instrument and/or sings. I have been around music since I was born.”

A truly eclectic band if ever there was one. Vocals are raw and obstinate. Instrumental phrases seem cobbled together by a deranged Gepetto who was listening to Motorhead at the time. You can bang your head one minute, sway drunkenly the next. It’s capable, engaging, and likeable, as if it can’t be restrained by just one choice. For fans of: Frank Zappa, Stiff Little Fingers, Van Der Graaf Generator (we know)

Aristor Oberson aka. Ded Kra-Z (MC, Ded Kra-Z & Princess Eud): “17 years ago a friend of mine invited me to be part of a band in my neighborhood, Fontamara, in Carrefour (a small town south of Port-au-Prince). That is how I got into music.”

Edouarin Enide aka Princess Eud (MC, Ded Kra-Z & Princess Eud): “It was in my neighborhood, Jalouzi, in Petion-Ville that I started in a group. Since then my musical career has launched.”

While the music scene in Haiti is primarily dominated by mellow steel drum rhythms and the shameless use of autotune, Ded Kra-Z & Princess Eud are busy making funky beats and writing edgy, socio-political lyrics with the sting of some of hip hop’s finest. Musically nodding to their roots and cultural influences, while refusing to bow to stereotype, they represent a new wave of awareness from the small island. For fans of: William Onyeabor, M.I.A, Afrika Bambaataa

Kivi (vocals, cowbell, donut pusher, Kittenhead): “I am told by my grandparents and parents that I sang before I spoke, and that when others sang off-key I would cover my ears and sing the right notes, so, yeah, I am that person. Everyone in Kittenhead had music in their lives from an early age. I know that DD’s (strings, lightsaber, backing vox) mom loved Elvis and VJJ’s (strings, sourpatch kids, random TLC references, occasional rapping/backing vox) mom made them clean the house to Janet Jackson. Owen (percussion, long walks on the beach, beer drinker) was sneaking into punk shows underaged at, like, 13.”

Combining growling vocals and that unmistakeable horror/surf rock hybrid which distinguishes some of the most fun bands in punk, Kittenhead are in no way confused about who they are. Their shows have been described as high energy and exciting. You won’t see another band like them at youbloomLA, so don’t miss it! For fans of: The Runaways, The Misfits, The Independents

Julian Shah-Tayler aka “The Singularity”: “My grandmother and my mother were both huge music fans – my grandma a music teacher, and my mother an opera singer. They used to sing to me all the time. I remember the radio being on in the house and really hearing “Wuthering Heights” by Kate Bush when I was about four. It affected me massively. When I heard it again later in life for the second time, this wave of nostalgia pulled me back to our little apartment on the top of a high-rise block of flats in South Wales; I nearly broke down and cried.”

The perfectionist talents of The Singularity allow listeners a voluptuous electro experience that almost quite literally gets right under the skin. With influences as lusty and powerful as the above mentioned, it’s no wonder, and with the vision to see it through to the creation of a wholly new beast, there’s nothing else quite like it. It’s smart, relentless, and endlessly catchy. And you need to see it for yourself. For fans of: deep space, David Bowie, nights as a teenager, molly

youbloom | HEADROOM #2: Featured Artists from the Los Angeles 2015 Music Festival

28-Oct-2015 By Shannon Duvall

There’s nothing quite as devilish as a little dish, is there?

You know it’s true, otherwise, you wouldn’t be here at HEADROOM, the official source of all dirt dug on the artists who’ll be tearing up the stages of this December’s youbloom LA 2015 Music Festival . We’ve got over 50 bands lined up already for this winter’s hottest fest, and with that much rock ‘n’ roll in one place, there’s bound to be something juicy to unearth.

In my other job, as youbloom‘s very own private eye, I’ve learned a thing or two about a thing or two, and before I burst at the seams, I invite you to sit down, take a load off, and bask in a little of the gossy stuff – all horse’s mouth, scout’s honor.

You know how first bands can make or break you, musically speaking? Somehow, these all led to make.

Kevin Proctor (songwriter/keys/guitar, Direct Divide): My first band was a group of fellow football players and bored teenagers who played Ted Nugent, Metallica and Slayer covers. We were called War Dance and definitely should have had one of those logos that just looks like a leafless tree. SO METAL! My second band sounded a lot like Hootie and the Blowfish.

Razz: (songwriter/vox/violin): My first band was an all-girl pop punk quartet called the BlowUpDollz. Think 90’s pop punk meets 80’s hair metal and you’ve got the gist. I LOVED that band; we were underage, unapologetic troublemakers sneaking into dive bars to play gigs. We are all still very good friends even though the band isn’t together anymore. We just had a reunion show this year that was hilarious. I definitely learned a lot about stage presence and antics from that group.

BJ Smith: When I was 17, I met up with another male vocalist and two female vocalists through a friend of my parents who managed bands. We used to toy around singing songs a capella, and quickly formed a vocal group called Black Suede. Our manager said we needed a band and knew of one looking for a vocalist. We went to Santa Ana, California to meet up with this band (they called themselves Oasis, but not the Oasis you’re thinking of). We walked into the rehearsal – they sounded great! They were funky!! They had a conga player, a dude with timbales, synths, a sax player, and a drummer with electronic triggers. They were groovin’ all the funk and R&B jams you heard on black radio stations. I was in awe, like, damn this is the S#+t! Then out of nowhere, their manager and bass player started arguing. They knuckled up and started straight out brawling! We stood there in amazement; we’d rehearsed on our way there, but still had not sung a note! When the fight was over, the bass player grabbed his gear and left, and so did half the band. It was all over before it even started. A few weeks later we came back, they had a few new members and we did our first gig together in LA. We didn’t have a sound man, our mics were feeding back…we thought we sounded great until we were done, and the DJ started spinning the songs we’d just played as a way to mock us! That was last gig Oasis featuring Black Suede ever did; nevertheless, I got the bug, and the rest was history!

Cool, clever, and impassioned, the masterly BJ Smith has the kind of industry chops you hear whispered about across the bartop when he walks into the room. He produces. He sings and plays. He writes songs. He tours with top brass; picks his own band members; slides an R&B song your way like passing a love note. He’s impeccable. Don’t miss him. For fans of: Luther Vandross, Freddie Jackson, your own heartbeat

Brian Kirk (drums, Round 12): The first band I was in was with my two cousins who lived 35 and 120 miles away. We would practice once a month (if we were lucky). We were a “christian punk” band and we were booed off stage at our first performance.

Matthew Irwin (rhythm guitar/lead vox, Foreign Affairs NI): The first band I was in didn’t have a name. When I was 15 I was desperate to create my own music and play punk rock songs in any way I could! So I got into contact with a few friends on social media and we jammed and unsuccessfully played one show! We didn’t have a drummer so we borrowed another bands’ and he arrived late and too drunk to hold a beat! I was also a massive cringe – it was all very embarrassing. However, it did make me feel cool at the time so it wasn’t the worst thing in the world.

An ardent, sincere take on a well-loved genre. Sounds are clean and tight. There’s energy and storytelling in spades. Foreign Affairs NI show up with their hearts on their sleeves, ready to sleep on your kitchen floor if you’ll let them play a gig. This is how the best pop punk should be. For fans of: The Ataris, You Know The Drill, The Get Up Kids

Running riot: Dublin band The Riot Tapes fire things up with new single and video. World appropriately sweats.

18-Aug-2015 By Shannon Duvall

“Goodbye my faith, goodbye my heart.”

Ah, Elaine Doyle, c’mere, would you ever stop being such a fantastic ride? Look at you there, running around the countryside, looking winsome and windswept, not a bother on you as you purr lyrics in perfect time and stare down the sunset like some badass bog Madonna.

Are your legs tired? Cause you've been running through my mind all day. — Are your legs tired? Cause you’ve been running through my mind all day.

Well then, at least put a scarf on, dear, you’ll catch your death of cold out there. Yes, even in August; this is Ireland, after all.

–
Just two months on from their ravishing show at youbloomDublin 2015, Reekus Records’ Riot Tapes are are off and running – rather literally, actually – with their latest release, a single called “Hello, Insanity”.

Recorded at Westland Studios in Dublin’s south inner city, and initially intended as a work-in-progress recording, the since-polished song has been receiving critical praise from fans and industry swingers alike; Joe Donnelly of TXFM has called it “…a thunderbastard of a song.”

Well.

You can see where he’s coming from. As Irish mainstream music goes, this is top stuff. The production is so clean and well-considered, it’s as if the group are aliens – seductively frank aliens – dropped off here to totally steal the show. And this is what they do, with cannonball drums and electro-effect guitar thrum burning up the reel. Donnelly goes on to liken the track to “Heads Will Roll”, by the Yeah Yeah Yeahs, quite the comparison, and by all accounts spot on, if the response from listeners of his popular radio show Cheer or Sneer are anything to go on. Riot Tapes, are, quite frankly, killing it right now.

So what does a sassy band of audio assassins do when they’re not busy slaying from the airwaves and the stages of Ireland’s best fests? Why, drive up the mountains and get up to all sorts of antics, of course:

“The shooting of the video (for “Hello, Insanity”) was unusual,” says vocalist Elaine.

“Myself and Chris (our guitarist) agreed on the concept which was basically me running up the Dublin mountains singing along to the song. So one cold sunny morning the two of us headed up to the mountains in Chris’s little Fiesta. We had a camera, a tripod, and some red rope. We put the camera onto the tripod, tied the tripod into the boot of the fiesta and began shooting. Chris drove as slowly as he could and I ran after the car whilst trying to sing. The whole point of the video was to do it in one take.”

“One minute in, we had a problem: my jeans were falling down quite rapidly when I ran. Chris cut off some of the red rope and made me a belt. You can kind of see it in the video if you look really close. We did four or five takes, and used the last one for the video. It didn’t take too long to do at all.”

Talented, tenacious, quite obviously full of creative energy; it must have been off to win over more listeners after the shoot, surely? Actually, uh, not quite:

“We spent longer looking for 50 euro that fell out of my pocket while I was running than we did shooting the video!” Doyle laughs. “We never found it.”

Check out all the pants (and panting!) -related mayhem right here in the video:

Riot Tapes play The Big Viking Picnic, a gig for charity, in Kells, Ireland August 29.

youbloom HEADROOM #7: Featured Artists from the Dublin 2015 Music Festival

11-Jun-2015 By Shannon Duvall

One more sleep ’til youbloom!

That’s right, music freaks! Tomorrow is the June 12th, official starting date of the youbloom Dublin 2015 Music Festival & Conference, set to turn your average weekend into a bona fide rockfest you’ll be talking about for months. It’s been a wild year so far for us at youbloom HQ as we’ve geared up to bring you the best in independent music, here in Ireland as well as from across the seas. And we’ve certainly played while we worked – surrounded by all these bands and artists, you’d be crazy not to!

youbloom: HEADROOM was born of the importance of play. It’s based on the desire to get to the silly nitty-gritty; to find out more about all of the strange and interesting people who’ll be taking to the five stages this coming weekend. To put names with faces, and stories with songs, and find out how similar we all really are. youbloom is the global music village, and we’re all – artists, fans, or simply curious – part of it.

The eve of the festival marks HEADROOM’s seventh post, so we added a couple more artists’ stories to this one to give that “lucky number seven” thing a fair – fine, cheesy – shake. (No regrets!!)

We’ve had such a fun time getting to know all of the artists, and thank them heartily for calling forth their weirdest formative horrors (some maybe not so much) with us. Onward! To the Dame district! I’ll see you all there to hear how far these folks have come.

Meanwhile, for the final time, guys: Tell us about the first band you were ever in. We want the good, the bad, and the snuggly (?!?).

“My first band was an imaginary one! There were three of us, two who shall remain unnamed. It was New Year’s Eve, and we were all alone. We had a mic stand, so we were pretty well set. For the night we became Stiff Little Fingers, Talking Heads, and all the rest of our favourite bands. We spent the night miming, pretending we had an audience, at the age of 35. I knew then this was for me.”

– Clodagh Rooney, Reverend JM’s Panic Worship

One of the best things about music in Dublin is that since the city is so small, bands from wildly differing genres often find themselves drawing influence from all the other unexpected sounds around them. Reverend JM’s Panic Worship is one of the best examples of this uniquely Irish “genre-less” sound. Dark, playful melodies wind out of an assembly of unexpected instruments, played with intimate know-how. A second-to-none act, they play the Mercantile Stage on Friday, 12/6, at 9.30pm.

“The first proper band that practiced more than a couple of times was really exciting for me. It was my first time being in a band as a bassist and the first time that I felt truly comfortable in a band. We played countless gigs over a few years and recorded a couple of EPs and singles. We were fairly good and people seemed to like us.”

– Brian, bass, Beware Of You

“Beware Of You isn’t my first band experience, actually. My first was a young band called Insomniac, which (formed) when I was 16, I think. Yeah, we were all pumping full of ego – me, mainly – because as we all know, drums are the loudest instrument (and the best). For about two years we rehearsed every week, which is some dedication, but in that whole time we only ever played, like, two gigs. So that band was doomed to fall (apart) from the start, I guess.”

– Anthony, drummer, Beware of You

Gutsy, ambitious new act Beware of You have been busy this year drawing blood from the stone of pop punk and creating something earnestly elemental with their loot. Showing their colours, with influences the likes of All Time Low and Paramore, they’re ones to watch. See them on Sweeney’s downstairs stage on Sunday night, 14/6, at 10.30pm.

“I (was) in a rock band called Rampant, playing shameful versions of Iron Maiden and Blink 182. I used to wear a sailor hat at all of our gigs. Cringe.”

– Fergal, violin & mandolin, The Quakers

Yes. Just yes. If you’re not hooked from the count-in; blasted into the Quakers universe like a pistol shot in a gunfight over an insult to your Pa, and buoyed along by the gospel-meets-football-hooligan dynamism, then you, my friend have no ears. Possibly also no soul. Seriously good music. These boys are riled up and fit for fightin’, and they’re not leaving without making you dance like your boots are on fire. Get shanghaied at Sweeney’s Upstairs stage on Saturday, 13/6, at 10pm.

“The first band I was in was called Java Dawn. I played bass and sang, and we sounded like a fifteen-year-old version of Bloc Party. There was something amazing about being so young, thinking after every band practice (that) you were destined (to play) Wembley Stadium within a few months.”

– Edwin Pope, Mutant Vinyl

Mesmerizing, kinetic one-man electronic act Mutant Vinyl will be playing Sweeney’s Basement stage on Friday 12/6, at 1.30am. Hotly-tipped and irresistible, the live shows have attracted tons of praise – even from Sir Paul McCartney himself! Don’t miss this one.

“My first band was called Volume 2, a covers support band or as it was known then, a “relief” band who played support to any show bands that played in our area. The fact that we did pretty appalling versions of Zeppelin and Black Sabbath among others – at what was mainly a country and western gig – probably explains why we lasted about six weeks, our short but turbulent careers ending in ignominy when our drummer put his foot through Larry Cunningham’s (well-known Irish country music singer from the 60’s-70’s) drum kit whilst trying to save himself from falling off stage! It took me forty-five years to form my second band; the one I’m in now having been formed just over a year ago. So far all drum skins are still intact and we don’t do covers!”

– Ronan Gallagher, singer/songwriter/guitar magician, The Ronan Gallagher Band

“Siderodromophilia – an obsession with or fixation on railroads, trains or train travel.” The music of the Ronan Gallagher Band seems to summon the wanderlust in us all, with wailing strings, blues cat vocals, chugging tempos, and a whole lot of things to reminisce about as the track goes by. As though the songs are merely turns of the radio dial, picking up on a permanent station; what they capture is raw and beautiful in its simplicity. They top off the night at Sweeney’s Upstairs stage on Sat, 13/6, at 1.30 am.

“Although I play jazz and folk music now, it maybe a little surprising (to know that) the first band I was in was a metal band I started in Seattle called Aperatus. I was 16. At first I was only singing in the band. Later, after a ferry ride from Seattle to Bainbridge Island, I heard someone playing beautiful melodic music with a guitar, so I sat down next to him and asked him if I could join and he said yes. The next day I bought a guitar and have been playing ever since.”

– Shelita Burke, singer/songwriter

Seattle native Shelita Burke is something of a perplexity, raw of voice and precocious, charmingly facebook-shy; a warrior of the ideas kind. We can’t wait to welcome her to Ireland and be transfixed. She’ll take to Sweeney’s Upstairs stage on Sunday, 14/6, at 8.40pm.

CHECK OUT THE FULL LINEUP HERE: http://www.youbloom.com/dublin-2015/. We’ll see you there!

BEFORE I DIE: youbloom | HEADROOM #6: with Featured Artists from the Los Angeles 2015 Music Festival

MY FIRST TIME: youbloom | HEADROOM #4: with Featured Artists from the Los Angeles 2015 Music Festival

youbloom | HEADROOM #2: Featured Artists from the Los Angeles 2015 Music Festival

Running riot: Dublin band The Riot Tapes fire things up with new single and video. World appropriately sweats.

youbloom HEADROOM #7: Featured Artists from the Dublin 2015 Music Festival

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